Monitoring my body, by Carla Scarano D’Antonio

Monitoring my body

I don’t know when it happened,
the slowing down of the limbs
the desiccation of skin
the pains breaking in me.
I borrowed the body of a spider,
the waist plump
the back arched
and legs and arms thinning.
My hair changed too
from straight and black
to crispy and grey
like my Sicilian grandfather.
Impossible to revert.

Inside I feel the same as before
slimmer and in shape.
In my dreams I fit in size 10-12
the mirror reflects 14-16.
Nothing is safe.

This fragmentation is my doing
invoking change.
The days spiral down
like yarn unravelling in the wind
spinning a shapeless web.

Thank you for my life flowing.
Thank you for the years that will come.

Carla Scarano D’Antonio obtained her MA in Creative Writing at Lancaster University and has published her creative work in magazines and reviews. Her short collection Negotiating Caponata was published in July 2020. She was awarded a PhD on Margaret Atwood’s work at the University of Reading in April 2021.

http://www.carlascaranod.co.uk/

 

Wrinkles.UK, by Rachael Clyne

Rachael Clyne – from Glastonbury, is widely published in journals and anthologies. Her prizewinning collection, Singing at the Bone Tree (Indigo Dreams), explores our broken relationship with nature. Her pamphlet, Girl Golem (www.4word.org), concerns her Jewish migrant heritage and sense of otherness. @RachaelClyne1

 

Yes, the post-op went swimmingly, by Beth McDonough

Yes, the post-op went swimmingly

May I say... an excellent job!
Elegant at the bedside, she re-examined,
re-admired her neatly-stapled line,
on yet to purple flesh.
Damned good work!
You'll be in a bikini soon!

Residual anaesthesia and brocht-upness
kept back my awful truth. I'm more
a regulation one-piece sort of gal.
I gagged my thought-reply.
Doctor, had you carved some Celtic knot
across my abdomen, I'd be chuffed.
At last the fucking cyst is gone.

Beth McDonough’s poetry appears in Magma, Causeway, Gutter and elsewhere; she reviews in DURA.Her pamphlet Lamping for pickled fish is published by 4Word.

 

My Son Teaches me How to Dress, by Jinny Fisher

My Son Teaches Me How to Dress

Last week, I staged a major wardrobe de-clutter,
expelling my dated clothes: velvet Biba frocks
flopped, sulking, in a heap; a purple boa
shed a turkeyful of feathers on the stairs.
Platform over-thighs, Mary Janes, and Uggs
trotted off to The Very Vintage Shop.

Last year, you bought sixty T-shirts at one go
from spreadshirt.com— all with geeky formulae
and puns. In astro-language I can’t speak
or type, they jokify your starry mind
and meme the passion of your working life:
a massive telescope, its sweeping audit of the skies.

I can play that game: an online jaunt to Zazzle
yields rainbow fabrics, wordy slogans in fancy fonts.
I stuff my basket—fifteen hoodies and twenty tees
should be enough to see me out: Grammar Ninja,
The Oxford Comma,
and Let’s Eat, Grandma.

Jinny Fisher lives in Glastonbury. She is published in numerous print and online magazines and has been successful in national and international competitions — including first runner-up in Prole Laureate 2020. In 2019, V. Press published her pamphlet The Escapologist. She is Principal Pusher of The Poetry Pramhttps://www.facebook.com/search/top?q=The%20Poetry%20Pram

Twitter: @MsJinnifer

 

Appearances of the Loch Ness Monster, by Neil Fulwood

APPEARANCES OF THE LOCH NESS MONSTER

“They spoke ... in a desultory fashion of current events. The news from abroad, events in the world of sports, the latest reappearance of the Loch Ness monster.”
- Agatha Christie: ‘And Then There Were None’


The latest reappearance of the Loch Ness monster
was at a book launch by a sceptic
who had scientifically proven its non-existence.
The old saw about no such thing
as bad publicity was applicable here: the book
sold more than it might have
without the headlines and hasty, half-blurred photos
but the author wasn’t best pleased.

Prior to that, it had been spotted in a phone booth,
a call to a bookie to place a bet
on its own newsworthiness. Whether the bookie
paid out has gone unrecorded
and sightings of it dropping in at the Dog & Duck
on the way back for a swift half
and a whisky chaser made a minor buzz on Twitter
but remain unsubstantiated. And prior

to that, well it had pulled one of its remain-hidden-
from-the-eyes-of-the-world stunts,
decades having past since it was noticed
at a White City dog race, wearing
a trilby and a trench coat, a rolled up copy
of the local sporting fixtures paper
tucked under one fin. Some say it had a fag on,
others that it was a pipe smoker.

All so long ago it might have been in black and white.
Those were the days it preferred, anyway:
stentorian Movietone voiceovers, fleapits fogged
with cigarette smoke, bored usherettes
doing the intermission rounds. Walking back
through misty streets, the last bus
swallowed by distance. Night falling as the monster
disappears into familiar waters.

Neil Fulwood was born in Nottingham where he still lives and works. He has published three collections with Shoestring Press. His latest collection, Mad Parade, is due out with Smokestack Books in July.

 

Winter Wasp, by Nikki Robson

Winter Wasp
At first I thought it next door’s saw
starting on their stack of tree trunks.
But it was a queen

buzzing over open books
as if searching for an exact word
on which to light

somnolent sluggish drowsy

anchor her middle legs over her wings
and not turn a page until spring.
She would pare the words

and shred their letters, roll around
her regal mouth re-write them as a nest.
Her temporary rest on Margaret Atwood

stung me to respond. Clive James, I thought,
is not long gone and Seamus would not
conscience such a deed,

so in the end the Oxford’s weight of words
in common usage circa 1983
was brought to bear, pupating her into a

yellow (colour between green and orange in the spectrum) sticky (tending or intended to stick to what is touched)
splat (crush or squash).

Nikki is originally from Northern Ireland and currently lives in Scotland. She holds an MLitt in Writing Practice and Study from Dundee University and has had poems in journals and anthologies in print and online including Poetry Scotland, Acumen, Northwords Now, Under the Radar, the Lake and Scotia Extremis.

 

On First Looking into the Oriental Chill Cabinet at Waitrose, by John Lanyon

On First Looking into the Oriental Chill Cabinet at Waitrose

Susie, roll the rice,
form a mutant teenage Liquorice Allsort,
a distant runt-cousin of a Swiss Roll.
Let’s have it in black and white –
You see, I’m a stranger here myself.

Susie, roll me your sushi,
sharpen the blade,
perform the rite, just for me.
Show me the eye of the cucumber,
a little vinegar for my rice,
a dream of ginger.

Taking off the lid,
I discover your miscellaneous
drug dealer-like micro-packages:
the green plastic fern,
the plastic fish that squirts soy sauce.

I wouldn’t have bought you
if you hadn’t been reduced,
you cut-price Samurai,
A dream of skill and love
swimming round the kitchen,
a little fish out of water.


This poem appeared in the anthology A Funny Way with Words published by The Wychwood Press (2012).

Bio: John Lanyon lives in the Cotswolds. He works as a gardener, linguist, musician, and writer. Having failed his English Literature O Level, he came to love literature through reading it in French and German. He writes about art, the body, childhood, society, nature, the spirit of places, the secret lives of words. He believes you can create complex things from simple means.
 

Bored, by Margaret Jennings

Bored, by Margaret Jennings

Margaret Jennings lives near Portsmouth with a dog and a cat and a husband. Her first poetry chapbook, ‘We Are The Lizards’, published by Dempsey and Windle came out just as the country went into lockdown, which was not good timing. Margaret is currently working on a novel, ‘Ten Tricks’. https://www.dempseyandwindle.com/margaret-jennings.html also available from Amazon and Waterstones

 

Bohemian Raspberry (Liqueur), by Vanessa O’Rielly

Bohemian Raspberry (Liqueur)

I drank a little Amaretto with my Nan
Crème de Menthe, Crème de Menthe will you drink a cold Tango?
Thunderbolts, White Lightning, very, very frightening me
Galliano, Galliano
Galliano, Galliano
Galliano, Aperol, Limoncello

 

My last joke, by Jorge Leiva Ardana

My last joke
After Luis Buñuel

Should the day come and my soul be released,
though a convinced atheist, I’ll call in a priest
and the barber that messed up so much my hair
will tell those presents about our secret affair.

The service will be set around plastic flowers,
the ceremony held at the most inconvenient hour.
Bagpipes will be nicely played out of tune,
your headache will last until the following June.

A party horn shall be resting on my lips,
a bubble pipe between my fingertips.
Buried in a place I’ve never been,
I thought –why not- of Aberdeen.

Arranges will be made as follows:
Weeping or sorrow not allowed.
A ventriloquist must read my eulogy.
Please, invite to speak an expert on ornithology.

All the money I have although is not much,
will be donated where it’s really needed,
the Oregon Taxidermy Association,
where I can finally get a standing ovation.

My relatives won’t get a dime
which might be the last of my crimes,
and if you think all the above sinister,
remember a Nobel Peace Prize
was awarded to Kissinger.