From the Rag, by Christian Scully

From the Rag

Time drags as the barmans rags wipes another stain away from the bar top Feelingas though the clocks have all but stopped and the hourglass sand or the biggest hand are heading backward
Its funny how stood here in this palace of beer church to excess as tobacco laden breath requests another and sings a sad lament Cursing them who lurk on borders them past into obscurity and them who are royally fucking up the country whilst doing their best as you see… its complicated

Bleary eyed hobbling from pint to pint to bookies and back handing over scrunched up notes pulled from grubby back pockets as there lips smack down the sweet nectar.
Straightening ties telling the same lies how its just a quick one on the way to the office when we both know they will be back tomorrow.
Hearing grumbles and strife about distant kids and ex wives after pint after pint after pint
Some starting early
or some continuing
a perpetual night out that
they can never bare to end

Best mates at breakfast become bastards by lunch
as they are too drunk to stand let alone throw a punch
but then its all just a part of the carbon copied institution once known as a pub
Where now they serve kiddies and professionals grub
whist in the corner they lurk
all crude gestures and smirks
till its time to wobble back to bed
rest their red faced weary heads
grab a sarnie
grab a kip
buy the paper
and repeat

 

When I Come to Power, by Kevin Higgins

When I Come To Power

Spiking women’s drinks
or bums with a syringe
will be an offence punishable
by having one’s body placed
in an industrial crusher
and turned into an easily
spreadable paste.

But it will be perfectly legal –
compulsory, even –
to, at least once in your life,
drug a daytime TV presenter of the male variety,
preferably Richard Madeley,
and deposit his twitching body
on the town rubbish dump
for the gulls to peck.

KEVIN HIGGINS

KEVIN HIGGINS is co-organiser of Over The Edge literary events in Galway. He has published five previous full collections of poems: The Boy With No Face (2005), Time Gentlemen, Please (2008), Frightening New Furniture (2010), The Ghost In The Lobby (2014), & Sex and Death at Merlin Park Hospital (2019). His poems also feature in Identity Parade – New Britishand Irish Poets (Bloodaxe, 2010) and in The Hundred Years’ War: modern war poems (Ed Neil Astley, Bloodaxe May 2014). Kevin was satirist-in-residence with the alternative literature website The Bogman’s Cannon 2015-16. 2016 – The Selected Satires of Kevin Higgins was published by NuaScéalta in 2016. The Minister For Poetry Has Decreed was published by Culture Matters (UK) also in 2016. Song of Songs 2:0 – New & Selected Poems was published by Salmon in Spring 2017. Kevin is a highly experienced workshop facilitator and several of his students have gone on to achieve publication success. He has facilitated poetry workshops at Galway Arts Centre and taught Creative Writing at Galway Technical Institute for the past fifteen years. Kevin is the Creative Writing Director for the NUI Galway International Summer School and also teaches on the NUIG BA Creative Writing Connect programme. His poems have been praised by, among others, Tony Blair’s biographer John Rentoul, Observer columnist Nick Cohen, writer and activist Eamonn McCann, historian Ruth Dudley Edwards, and Sunday Independent columnist Gene Kerrigan; and have been quoted in The Daily Telegraph, The Independent, The Times (London), Hot Press magazine, The Daily Mirror and on The Vincent Browne Show, and read aloud by Ken Loach at a political meeting in London. He has published topical political poems in publications as various as The New European, The Morning Star, Dissent Magazine (USA), Village Magazine (Ireland), & Harry’s Place. The Stinging Fly magazine has described Kevin as “likely the most widely read living poet in Ireland”. One of Kevin’s poems features in A Galway Epiphany, the final instalment of Ken Bruen’s Jack Taylor series of novels which is just published. His work has been broadcast on RTE Radio, Lyric FM, and BBC Radio 4. His book The Colour Yellow & The Number 19: Negative Thoughts That Helped One Man Mostly Retain His Sanity During 2020 was published in late by Nuascealta. His extended essay Thrills & Difficulties: Being A Marxist Poet In 21st Century Ireland was published in pamphlet form by Beir Bua Press this year. Ecstatic, Kevin’s sixth full poetry collection, will be published by Salmon next March.

 

Iona walk of shame, by Jay Whittaker

Iona walk of shame

No minister
I did not leave
my sodden knickers
on the rocks
after semi-skinny dipping
on the Sabbath

that must have been some other pilgrim.
But there is learning here –
wet black pants
look just like kelp
strewn across a rock.

Jay Whittaker lives and works in Edinburgh. Her debut poetry collection Wristwatch (Cinnamon Press) was the Scottish Poetry Book of the Year (Saltire Society Literary Awards) 2018. Her second collection, Sweet Anaesthetist, (also Cinnamon Press) was published in 2020. Jay is widely published, including two poems in the recent Bloodaxe anthology, Staying Human. www.jaywhittaker.uk / @jaywhittapoet

 

Half an hour’s work, by Sarah J. Bryson

Half an hour’s work

The secateurs fit her hand
perfectly, as she works
to shape the form
until a thicker branch
does not yield to the blade
and they are exchanged
for the long handled lopper
which uses the physics
of leverage to exert
their power.
Four more chops
then she drops
this tool for the rake
to gather up the trimmings
then stands back
to admire the shape,
notices a stray weed
she’s missed, under the bush
grabs the hand fork
to extract the dandelion’s
long tap root, but
this one needs
the little spade
to loosen the soil
to ease out the beast,
all but the tip surrendering
to the teasing.
She stands back again,
thinking how much
can be achieved in a short time –
then sees one more stem
to trim, to finish the job.
She looks around
for the secateurs
which have disappeared-
searches for nearly
another half an hour.

Sarah J Bryson

Bio
Sarah has poems published in print journals, anthologies and on line. She has been a regular participant, during the Covid pandemic, in a weekly on-line arts event, combining photographs with haiku style poetry and has recently had several poems on the Poetry and Covid site.

 

Surf School, by Robert Garnham

Thou has the charms of a warthog.
Vile, doth your snout snuffle
Amongst the remnants of last night’s moussaka.
Has thou perchance upon my corduroy trouser leg
Upchucked?
Be gone!
Quoth my
Surfing instructor.

Upon my word did the very same surfing instructor
Not two hours previous
Raise an eyebrow or two as, with help,
I oozed into the requisite wetsuit,
Like a slug into a Smarties tube,
Thus requiring considerable tugging,
Talcum powder, axle grease, Vaseline,
Gravity and sheer luck,
And yea, for it was the closest I had come
In many months
To sex.

Unleashed on the sea thus be-rubbered,
I had all the equilibrium of a sparrow
In a cement mixer,
All the agility of a lopsided basset hound
With an inner ear infection,
All the balance of Fox News
And all the rhythm of a drummer divorced from his drum
And also, coincidentally,
Three months in the grave.
You might say that
I wasn’t really cut out for it.

Thy surfing instructor, Troy, were a frown
With a man attached.
Sayeth he,
I’ve never seen a surfboard just sink like that.
It just went down like a stone, didn’t it?
You’re rewriting all the laws of physics,
And upon my word,
Did’st thou notice the countenance of that
Dolphin?
Such a worried demeanour.
And you’ve put the fear of god
Into a porpoise.
And also,
Thou art emitting
A vast and toxic slick.

Thy wetsuit were as shapely as a
Delaminated lorry tyre,
Such that a passing walrus should deliver
A cocky wink,
And surely I would have excelled
In all my brine-soaked majesty
Were it not for a chafing in the gusset
Which brought tears to mine eyes and
Conjured
That night I spent in Nuneaton with an
Abraham Lincoln impersonator
Whose frisky appetites
Could ne’er be sated
Yet ate my buffet breakfast and scarpered
Without so much as a how do you do?

The sea were as rough as mine uncle
And it pounded on the beach like
An angry old man on the doors of the closed cafe
In which he has left his baccy tin,
And no matter how I progressed
I could stand not on that blessed board.
For when it cometh to surfing I am nought
But a charlatan, a poseur,
A ne’erdowell enmeshed in misery,
No more qualified to join the surfing greats
Than a giraffe join a coven of mallards,
That I might hang my head in shame,
And mutter, oh, when do I get to say cowabunga?
And hand in my ankle bracelet
And my coral necklace
And my flip flops
And submit to the life of a land based mammal
Such as a badger or a dental hygienist.

How vast the expression of shock on the face
Of my damp-headed instructor
When I leaned on the flanks of his
Cobbled rickety surf shack
And the whole place concertinered
Into a jumble of wooden planks.
He hardly laughed at all.

And thus began a tirade the general gist of which
Implored me to explore
Other avenues of past-time
In which my ham-fisted bungling efforts might
Not cause quite so much pain, anguish, damage
And general gnashing of teeth.
And that, dear listener,
Is how I became a poet.

Robert Garnham has been performing LGBT comedy poetry around the UK for ten years at various fringes and festivals, and has had three collections published by Burning Eye. He has won slams in places such as London, Edinburgh and Swindon and headlined or featured at events such as Bang Said the Gun, Raise the Bar, and Milk and in 2019 was the Hammer and Tongue featured artist for a tour of the UK. Je has supported artists such as John Hegley, Arthur Smith and Paul Sinha. He has made a few short TV adverts for a certain bank, and a joke from one of his shows was listed as one of the funniest of the 2017 Edinburgh Fringe. Lately he has been writing short stories published in magazines such as Stand, Defenestration and Riggwelter, and a humorous column in the Herald Express newspaper. In 2021 he was nominated for the Pushcart Prize and shortlisted as Spoken Word Artist of the Year by the Saboteur Awards. His influences are diverse and include Ivor Cutler, Salena Godden, Bob Newhart and Laurie Anderson.

Robert is the editor of Spilling Cocoa. His website can be found at https://professorofwhimsy.com

 

There’s a Fucking Fly in my Fridge, by Paula Nicholson

There’s a Fucking Fly in my Fridge.

There’s a fucking fly in my fridge.
Fellating a fish finger,
fondling the fruit and
feeling up the frangipane.
Your fun is finito
and in my fury,
fffffwack!
Flattened.
There’s now no fucking fly in my fridge.

Paula lives near Lockerbie with her family and an overly chatty cat. She likes scientific stuff, zombie films and books, and is partial to a slice of cake. She blogs on Twitter @paula_nicolson and Facebook as DeckyWriting.

 

Just Desserts, by Greg Freeman

JUST DESSERTS

Even after all this time
I’m not ashamed of what I did.
Tipping a mixture of party food
through an elderly former
neighbour’s letterbox.
He’d complained to our landlord
that our girlfriends stayed overnight.
It was the Seventies. Yorkshire
was and is a backward place.

I’d moved out as quick as I could,
got a place with my girl, soon
to be wife. Was invited back
for a party by the one nice flatmate
that we bumped into in town.
I hatched the plan in advance.
Halfway through the evening
I went out with my offering
and delivered it. Rat-tat-splat.

They say revenge is sweet.
Black forest gateau, trifle,
a soupcon of tiramisu.
And a dish best served cold.
Those puddings came
straight from the fridge.
I suppose my ex-flatmates
received some feedback.
Still gives me pleasure, writing this.

Greg Freeman is news and reviews editor for the poetry website Write Out Loud. He co-comperes a regular poetry night in Woking. His new collection is called Marples Must Go! One of its themes mourns the comic heroes of yesteryear, with this cri de coeur: ‘Why can’t life still be hilarious?’ https://www.dempseyandwindle.com/gregfreeman.html

 

Errands, by Sarah J. Bryson

Errands

As novices on the ward
we students were sent to collect,
to beg to borrow –

‘nip to 15 see if they have any spare
draw sheets, and ask Sister Pink
if you can borrow a sphyg,’

‘go down to the porter’s lodge
and tell them we need someone urgently:
bring one of them back with you,’

‘take this list to CSSD
with the trolley, and bring back
as much as you can to stock up’

One day I was asked to go to
the orthopaedic ward
for left handed syringes

and a long stand.

Sarah J Bryson

Bio
Sarah has poems published in print journals, anthologies and on line. She has been a regular participant, during the Covid pandemic, in a weekly on-line arts event, combining photographs with haiku style poetry and has recently had several poems on the Poetry and Covid site.

 

Grumpy Bumpy Poem, by Ed Poetastic

The sun too bright,
Toss away the clock,
These sheet are so tight,
My body feel like a rock,
EVERYTHING NOT ALRIGHT!!
A sound? Knock, knock, knock
Someone looking for a fight!!
The door!! Why is there so many locks!!
Mail, give me that! Forget being polite,
No Sir you can kiss my buttocks!
You enjoy that? Get out of my sight!!
Dumb stupid clock going tick tock,
I’m trying to eat with all my might,
What!! No tea or Coffee in stock,
This day is so crazy and not right,
Even my stove is refusing to ignite,
Puuufff, time to see boring sites,
It’s meh so what alright okay despite,
Why is the sky so bright, blue, and white?
Why is my jacket so little, stuffy, and tight?
Why are kids flying stupid droids and kites?
No more happy sappy activities in my hindsight
Being grumpy is my passion and birthright
I drink the bitter bad and toss away the delights
Seeing a peaceful moment spoils my appetite
I wish I can raindown thunderstorms with spite,
This sunshine, flowers, and butterflies really bites
I Love pure darkness then boring pale white
I love taking out the bulbs in everyone’s lights
I Love seeing fights, firefights, and bullfights
I love setting fireworks at the dead of midnight
Why am I so crabby, grouchy, and uptight?
why should I tell you? Have a grumpy night
By Ed Poetastic

 

Strictly Speaking, by MT Taylor

Strictly speaking…

…her shoes let them down
five inch heels and that soft kid leather
in come-fuck-me red.
Were they ever
really a pair?

He with his polished Latino click
hers a scarlet asymmetric slit
with a temper to match
his a spandex sparkle
and the macassared slick
of his Lugosi thatch

She didn’t fall, merely tripped
on his slippery charm
and her own indecision
lost her footing
gripped his arm as they took to the floor
in their downward collision.
She felt a smack from the back
of his left Cuban stack.

She’s had enough.
Through the crack of his dislocation
she remembered old scores
lost marks
humiliation

The last he knew was her impatient sigh
and the crushing sight
of her restless stiletto above his eye
the mocking cry
the samba siren and the boys in blue
(what-the-foxtrot-tango?)
lights on full
Paso doble
torero mujer
and one dead bull

MT Taylor was a librarian before retiring to Glasgow. Her work has appeared in The Glasgow Review of Books, Ink Sweat and Tears, The Interpreter’s House, Northwords Now, The Lake, Under the Radar, and Poems for Grenfell. She has four children who still talk to her, and she still interrupts.