In Praise of the May Tree (Perhaps an Ode) by Hillary Willmott

In Praise of the May Tree (Perhaps an Ode)

I want to praise thee, May Tree
For the joy you’ve given me
For those few weeks each year
You set my spirit free

When your gentle flowers bloom
You cover all that open space
that’s twixt my neighbour’s window
and what I call my private place

So for that special time
when you reach up toward the skies
I can run round bollock naked
Without his prying eyes

Hilary has been writing for a very long time.  Her poems have been published by Templar Press, Bristol Poetry Can, Obsessed with Pipework, Leaf, Velvet, The Exeter Broadsheet and Mr Garnham himself. She has also been shortlisted nationally.

 

Invisibility Rant, by Abigail Ottley

The young think they invented cool but they know diddly squat.
Those ankle-snappers shut their eyes to what we wise ones got.
So this old bird is set to strut and fan her tail and crow.
She’s primed to blow her cover. Here’s a thing or two the yoof should know.
This woman’s old but she ain’t dumb. She ain’t pretending she ain’t grey.
Don’t matter if she’s billiard-bald, she still deserves to have her say.
And what she says is simply this. She’s deep-down tired of being dissed.
At worst reviled, at best dismissed, if there’s a mill, then she’s the grist.
Now guys that used to flirt and stare will mostly fail to see she’s there.
One day, she’s classy, gorgeous, hot. Next morning, passé, clean forgot.
How plaintive sounds her shrill lament as she asks where her ‘sexy’ went.
Now just existing leaves her fazed. A life outside her master’s gaze.
That gaze which won’t admit she’s there and for the most part doesn’t care
but turns its back and sends no flowers. In bars, sometimes she waits for hours
before the barman can’t ignore the fact that what she’s waiting for
is to be served like all the rest. Great hulking guys with beards and chests
that press against the bar where she can’t get, can’t hear, can’t even see.
And girls with boobs and killer shoes marked out like maps with blue tattoos
and all the heartless, hip-less yoof who cruelly mock those long of tooth.
In restaurants waiters turn their heads to tiptoe round the dining dead.
In any queue how cursed is she by this in-vis-i-bil-i-ty.
I’m here to say that such as we reject this anonymity.
We won’t sit down, we won’t shut up calm down, make tea. We’ve had enough.
We’re women. We have earned our stripes our stretch marks and our right to gripe.
We’ve paid our dues, we’ve lived this shit. And now we’ve had enough of it.
It isn’t fair, it isn’t just.Where is it writ we woman must
accept our lot and know our place in short, that we must self-efface?
Back in the day when I was young my grandma said a woman’s tongue
dripped wisdom, sweet and strong as wine that, aged in oak, improves with time.
And she was right to teach me how a woman grows into her power.
A witch is but a woman who won’t still her tongue as others do.

Abigail Elizabeth Ottley writes poetry and short fiction from her home in Penzance. A former English teacher with a lifelong interest in history, she has been Pushcart nominated, translated into Romanian, and is carer to her very elderly mother. Find her on Facebook or @AbigailLaLoca on Twitter

 

Two Limericks from Mark Totterdell

Anaconda

I once had a pet anaconda,
Of which I could not have been fonder,
Though it caused some alarm
And significant harm
By its strong inclination to wander.

Stegosaurus

We take care with our pet stegosaurus,
Lest the spikes at its rear end should gore us,
As with one mighty flail
Of its big spiky tail
It could render us horribly porous.

Mark Totterdell’s poems have appeared widely in magazines and have occasionally won prizes. His collections are This Patter of Traces (Oversteps Books, 2014) and Mapping (Indigo Dreams Publishing, 2018).

 

Poem by Jonathan Humphrey

The Puissant Penguin of Portsmouth
Partaking of pork, and port, and peas
Roguishly reclining in his sedan chair
Entirely at his ease

Said unto his bearers:
‘What days, what times are these
When an avuncular avine such as myself
Can be so perfectly pleased?

Here am I in my sedan chair
Borne by such stout young men
And hither and yon you take me
Bound by my every whim

The people of Portsmouth they give me,
Cheered by my sleek black form,
Port and pork and prunes and pies
And all other good things under the sky

For such is the birdish beauty
Of my flippers and claws and beak,
That all those who see me realise
Unknowing, it is I they seek

And knowing they bow down before me
Knowing they bend the knee
My beauty; it overwhelms them
They shall have no God but me

And thus here I am reclining
Borne by such bold lads as these
And thus do I partake of pork and port
Entirely at my ease.’

 

I will survive, by Dora Wright

First I was afraid I was petrified
I felt your neck to feel a pulse
I thought you’d died
then I spent so many nights
just sitting by your bed
as I watched you
being intravenously fed
so now come on, open your eyes
when you do you’re going to get
a really big surprise
I’ve got the minister here
to marry us today
I really need to be your wife
before you pass away
so come on open your eyes
just nod your head to say I do
before you die
I want to be your wife
I want your money too
so nod your head to tell
the minister you do
I’ll kiss you on the lips
I’ll whisper I love you
and when I’m standing
by your grave
I’ll shed a tear or two
I will survive
Well I’ll survive you.
And when I’m finished grieving
they’ll be no more making do
I’ll spend your money wisely
I’ll never waste a dime
I intend for it to last me
a very long time.

Dora is a member of several writing groups, has been published in anthologies and newspaper and magazine. Dora lives near Loch Lomond.

 

Ending up a vegetable, by Ray Pool

ENDING UP A VEGETABLE

Russell Sprout was rather stout
As wide as he was tall,
His appearance was hysterical
Verging on the spherical
Exactly like a ball.

As marmite’s not to everyone’s taste
While others seem to love it,
Russell drew a parallel
With some put off by a rotting smell
While others rose above it.

In one thing he was much admired
And worthy of a mention,
His green credentials were intact
An essential way of life in fact
And worthy of attention.

He never thought to change his name
Thinking that his shape was good,
While some it’s said look like their dog
He was a blend of toad and frog
Trying to be Robin Hood.
Let’s take leave of Russell Sprout
A tale as wide as tall,
It had its moments magical
But also some more tragical
It’s poetry after all.

 

Flying Corgette, by Jackie Juno

FLYING COURGETTE

I took a courgette out for a walk
Boris Johnson made me do it
Have you heard that sinister meringue talk?
I slipped on some fresh new bullshit.
I know that he’s lying
the courgette went flying

My baby is a jumbo jet
my supersonic mean courgette
see how high he flies
they’re building castles in the sky

Careful what you agree to
wipe the wool from your eyes
cauliflowers have ears now
there are parsnips in disguise
my potatoes are totally mashed
I think that’s why I crashed

We’re in a stew, me and you
we’re up to our necks in gravy
we’re in a pickle, Dr Jekyll
can you smell burning, baby?

My baby is a jumbo jet
my supersonic mean courgette
see how high he flies
they’re building castles in the sky

Jackie Juno is a performance poet based in Devon. Her website can be found at http://www.jackie-juno.com

 

Denis of Hackney, by John Davison

Comic craftsman, Denis Norden, gone at ninety-six
Settling into heaven, to play his verbal tricks.
Catching up with colleague Frank, two miners of great mirth,
You’ve left a joyful legacy of incalculable worth.

He worked behind the curtains, shifting props and scenery,
Ran a cinema in Watford and got a job at BBC.
Writing for Dick Bentley, and later Richard Briers,
Competing against Eric Sykes, and friends of Barry Cryer’s.

They ruled the roost for four decades, Denis Norden and Frank Muir,
You tickled all our funny bones, we couldn’t ask for more.
Enriching our vocabulary, provoking those in power,
Maximising merriment in every wireless hour.

Our descent into vulgarity you generally ignore,
You helped to archive quips and jokes from those who passed before.
It saddened me to read about your unexpected death
Now no new dialogue can flow from Dad, or Ron, or Eth.

You helped expose the fibs behind the adverts on TV,
The way commercial pressures tend to filter what we see.
You wrote some scripts for Hollywood, but never lost your touch
With families who think that West End theatres charge too much.

Alternative comedians now struggle to hold sway,
Not many have the stamina to write a film or play.
Britons watching widened screens will not forget you lightly,
But those traffic lights in Bal-ham no longer shine so brightly.

John Davison is a London-born writer of parodies, poems and lyrics, often on topical issues. He admires unusual puns and wordplay, frequents open mics in outer London, collaborating with musicians whenever opportunities present themselves. He supports a Twitter account https://twitter.com/sidsaucer