What’s that?, by Judy Darley

What’s that?

I glimpsed a water vole.
You declared it a rat.
I wasn’t sure why it mattered.
One flourishes alongside
our slack species, the other
struggles amid choked rivers
in shrinking habitat.
Either way, I admire
the opportunists battling
to eke a life from scraps:
snub-nosed voles nibbling
their burrows neat door mats,
and rats thriving from dropped
chips and suspect kebabs.
Discarded snacks clog canals
and blood vessels alike.
I tell you, we’re all a little vole
and a bit rat, even if
we’d rather not admit that.

Judy Darley writes prose and poetry in Bristol, UK. She is the author of short fiction collections Sky Light Rain and Remember Me to the Bees. Her third collection, The Stairs are a Snowcapped Mountain, will be published by Reflex Press in 2022. You can find Judy at http://www.skylightrain.com; https://twitter.com/JudyDarley

 

Alive in the Age of Stupidity, by Chad Norman

ALIVE IN THE AGE OF STUPIDITY

Here in
Nova Scotia
the party in power
overlooks
the importance of
protecting and
allowing to stand
the structures
and buildings
from the Past
(somehow still with us).
Mostly men
unfortunately
who
without knowing
each day include
their names
by believing
there is no profit
in being wise enough
to be part of History
through its preservation
and making sure
as politicians they avoid
a category of fools.

Chad Norman lives and writes beside the high-tides of the Bay Of Fundy, Nova Scotia, Canada. His poems continue to appear in various literary publications and anthologies around the world. His latest book, Simona: A Celebration Of The S.P.C.A., is out now with Cyberwit.Net (India).

 

Trial by Poetry, by Oscar Windsor-Smith

Trial By Poetry

My first time at a formal workshop:
Comes the question of poetic voice and
I’m soon stumped.
Worrying.
It seems I’m not one person
for long enough to tie-down
a single stable output;
flibbertigibbet:
north/south, east/west
mongrel that I am;
a middler;
a literal mediocrity…

But then again,
the middle may provide
firm footing
for a bridge
between divergent minds.

And what’s so wrong with that?

Oscar Windsor-Smith lives in Hertfordshire, UK. He has fooled enough editors to get fiction, creative non-fiction and non-fiction published in diverse places, in print and online, and has occasionally been falsely accused of poetry. By jammy luck he has been a finalist/shortlistee in various international competitions. He graduated from the Birkbeck, University of London BA in creative writing in 2018.

Oscar Windsor-Smith – Writer

Facebook: https://www.facebook.com/oscar.windsorsmith

LinkedIn: uk.linkedin.com/in/oscarwindsorsmith/

Blog: http://oscarwindsor-smith.blogspot.com/

Twitter: @OscarWindsor

 

Truth, by Maurice Devitt

Truth

In my early years,
The Zebra Book of Facts for Boys
was my go-to reference;
rarely stuck for a capital city, flag
or element on the Periodic Table.
It was only when, at fourteen,
I brought it as a comfort blanket on my first date,
that I realised its shortcomings:
the conversation flowed
as I sought to impress my consort
with the range of my general knowledge,
but when I left her to her door
and she asked me
if I’d ever kissed a girl before
I didn’t know the right answer.

A past winner of the Trocaire/Poetry Ireland and Poems for Patience competitions, he published his debut collection, ‘Growing Up in Colour’, with Doire Press in 2018.

His poems have been nominated for Pushcart, Forward and Best of the Net prizes and his Pushcart-nominated poem, ‘The Lion Tamer Dreams of Office Work’, was the title poem of an anthology published by Hibernian Writers in 2015. He is curator of the Irish Centre for Poetry Studies site.

 

Never eat shellfish, by Janet Sillett

Never eat shellfish

My aunt, nothing like my mother,
used me as a sounding board, captured,
ten years old, in her stifling kitchen,
smelling of chicken soup
and terror

I was licking the cake bowl dry,
she proclaiming
that the Russians sent bad weather,
on purpose
tell your father that, the commie,
insisting I pray for Israel,
and that I must never eat shellfish
on pain of death from God

My aunt, never one for irony, was firm
that I should trust my instincts
and be myself,
but even then, I thought being myself
might mean downing small pink shrimps
from seaside stalls,
striped in pink sweet rock colours

I should shun men with slinky hips, especially
those with guitars
I had never met one of these wonders
but from then on, I would look for them on every street corner

Be careful what you wish for
I wished for Cadbury’s dairy milk,
and that her daughter,
younger than me, whose life’s work was snitching,
would be kidnapped to a desert island,
clutching her Hebrew scriptures
as her book of choice

Things happen for a reason,
I knew she meant
bad things,
as I mixed chopped fish in her yellow cracked dish

My father died later that year

My aunt was a lodestar
a beacon to what not to do,
an upside down road map
from childhood to flimsy maturity

In middle age, diagnosed depressive,
I missed her declarations
In old age, visiting my dying mother,
she picked wild flowers for her bedside

Janet Sillett recently took up writing poetry and short fiction again after decades of absence. She has had a poem published in the Galway Advertiser and is about to have her first flash fiction piece published in Litro. She works for a think tank.

 

The best superhero we can conjur, by Rob Schofield

The best superhero we can conjure

sits in splendid self-isolation. He
does not fret about provisions, other
than how best to keep the plebs supplied with
bread and circuses. And toilet roll. His
tenebrous consigliere, last seen
scuttling away from the black door sans
smug grin, is at home now, mired in his blog,
scribbling his fiendish marginalia
and plotting how and where to push the blame.
How will he muddy waters already
soiled by years of verbal diarrhoea?
Where were his not-so-super forecasters
when the rest of us were glued to the news
from Wuhan? And the second string, these Lords
of Misrule, whose misplaced confidence rides
shotgun with incompetence, snatch at the
coat tails of the experts they scorned, alive
to the scapegoat’s scent. Eton College closed
its doors before our children were sent home.
What of the rich, no longer able to
stake sole claim to being idle? Boltholes
undetected, they feed foie gras and fox
cubs to the hounds, riding out the storm while
trusting their Joker to keep their backsides clean.

Rob Schofield writes fiction and poetry from a temporary bunker in the Yorkshire Dales. Rob is a member of the 2021 Northern Short Story Festival Academy and has been published in The Blue Nib and Prole. He has been long and short listed for several short story prizes. Rob publishes work in progress at robschofield.uk.  

 

 

The Mermaid and the Onion Seller, by Rosie Barrett

The Mermaid and the Onion Seller

Eckphrastic after The Picnic Basket by Dawn Timmins

I’ve just made a huge mistake
This man’s not mine for goodness sake
He’s bonny, brown and looks the part
but life is more than simply art.
Sat here on his bike I’m cold.
We’ll not be lovers when we’re old.
Mermaids don’t eat cheese, drink wine.
When I’m on land I know I’ll pine
for gentle currents, wafting weeds,
for whale songs drifting through the reeds.
My sisters, combing out their hair,
if they were here would simply stare
and tell me not to be so daft.
But they weren’t here when he laughed
said “Ma choupette, come, marry me
the good Lord will bless you, set you free
to be my wife, bear me a son.
I’ll teach you French, we’ll have some fun”.
He really hasn’t thought this through
but he’ll have a tale to tell his crew.
For the moment I’ll sit here
My nipples hardening in the air.
And later on I’ll tell him “No
We really can’t – I have to go”.

 

Art Students in a City Park, by Patrick Deeley

Penniless, sodden, splattered
with mud and paint,
we cling to our brushes and easels,
catch tree-bark and bareness,
the on-off colours
of January light between showers.

What we offer the world
is what the world feels it can do
without. Futility,
say the cars tail-backed beyond
the railings, futility
the wind-wrecked umbrellas,

the errant golf shots
in far green spaces, the drug deals
done on side-streets,
futility the bank executives
in tinted restaurants
laughing off their latest messes.

Here, snowdrops cluster;
a scribble of moss
resembles yellow crayon-marks
where sunlight hits;
a sleeping moth, all
but etched into an old oak trunk,

gathers us together
to chaunt the idea of it as a tawny,
inverted love heart.
The park is about to be shut.
Suppose, one of us
suggests, suppose we mosey up

to the sour-puss
key-rattling park attendant posing
as Saint Peter
and smile our Mona Lisa smiles,
will he allow us
to stand just one more half-hour

in the wind and muck?
At which we all splutter into our
aqua marines, indigos,
burnt siennas, alizarin crimsons,
behind the tall,
rusty, suffering gates of Paradise.

Patrick Deeley’s awards include the 2001 Eilís Dillon Award, the 2014 Dermot Healy International Poetry Prize, and the 2019 Lawrence O’Shaughnessy Award.  Recently he has had poems published in The Rialto, The London Magazine and Staying Human, an anthology edited by Neil Astley.  His seventh collection with Dedalus Press, ‘The End of the World’, was shortlisted for the 2020 Farmgate National Poetry Award.

 

Jan, Jen or Jean, by Thomas McColl

JAN, JEN OR JEAN

I hadn’t seen her in years.
Her name was Jan, Jen or Jean,
I couldn’t remember which.

My face lit up like a fruit machine
when she caught my glance
as we passed each other on Southwark Bridge.

“Hi, Tom,” she said,
and as if she’d pressed PLAY,
I felt compelled to take the chance.

The names began to spin inside my head –
Jan, Jen, Jean.
I pressed STOP too quickly –
I had little choice –
and settled on Jean.
“Hi, Jean,” I said.

We passed.
I pressed COLLECT,
and got a sick feeling in my gut,
as the name Jan,
for first prize,
flashed before my eyes.

Thomas McColl lives in London. He’s had poems published in magazines such as Envoi, Iota, Prole and Ink, Sweat and Tears, and has had two collections of poetry published: ‘Being With Me Will Help You Learn’ (Listen Softly London Press, 2016) and ‘Grenade Genie’ (Fly on the Wall Press, 2020). 

 

Neighbourhood Watch, by Maurice Devitt

Neighbourhood Watch

When she woke he was gone,
the scent of him still dawdling
on the stairs, phone
and wedding-ring abandoned
on the console table in the hall.

After three weeks, she packed
his clothes into a suitcase
and left it in the porch.
In the morning it had vanished
except for the shoes he never liked,
perched squarely on the step.

A woman down the road,
dowdy and disinterested
since her last romance,
has been spotted wearing lipstick
to the bin and the milkman
has remarked, in the form
of an open question,
how she’d increased her order
from one bottle to two.

Winner of the Trocaire/Poetry Ireland Competition in 2015, he published his debut collection, ‘Growing Up in Colour’, with Doire Press in 2018.

His poems have been nominated for Pushcart, Forward and Best of the Net prizes and his Pushcart-nominated poem, ‘The Lion Tamer Dreams of Office Work’, was the title poem of an anthology published by Hibernian Writers in 2015. He is curator of the Irish Centre for Poetry Studies site.