SIX CORNISH LIMERICKS
There was a young man from Penzance
Whose chances of finding romance
Would have risen to ‘small’
Up from ‘no chance at all’
Had he thought about changing his pants.
There was an old biker from Newquay
Whose ways grew increasingly kooky.
He would ride up and down
All the streets in the town
In the nude, on his vintage Suzuki.
A grizzled old fisher from Newlyn
Wore a hat that he thought he looked cool in,
But which all of his crew
And the townspeople too
Thought he looked like a silly old fool in.
A foolish young man from Porthcurno
Thought drinking a bottle of Pernod
With a lamb vindaloo
Was a cool thing to do.
Now his guts are a raging inferno.
When a Methodist girl from Penryn
Heard that alcohol use was a sin,
She decided she oughta
Drink nothing but water;
The tonic sort, topped up with gin.
When a careless old man from Lamorna
Came out fully unclothed from the sauna,
Then the sight of his bits
Had his neighbours in fits
And upset all the neighbourhood fauna.
Mark Totterdell’s poems have appeared widely in magazines. His collections are This Patter of Traces (Oversteps Books, 2014), Mapping (Indigo Dreams Publishing, 2018) and Mollusc (The High Window Press, 2021).
Tag: comedy
Fostering an Elephant, by Matthew Sissons
Fostering an Elephant
So far, no one has complained
about the late-night tanker truck
deliveries. She’s only a baby.
Drinks gallons of milk. We go
directly to a dairy. It’s expensive,
but who cares? I think the neighbors
are jealous.
A golden retriever or a Siamese
cat would have been ideal- we
live in a small house, with a
smaller backyard- but for the
elephant, it was us or the poachers-
so we took her in.
The kids are wild about her.
Walk her without complaint.
They promised to keep the yard
clean- My wife and I do most
of the pooper scoopering. We
spoil them.
When the constant trumpeting
began, we piled into the mini-van,
rushed her to the vet. She said
there was nothing wrong with
the elephant physically. Turns out
elephants are matriarchal- I think
she missed her family. She seems
to be settling in with mine.
I’m crazy about her too- built her
a house outback. When it’s warm,
she sleeps there. She’s smart. Easy
to train. Remembers everything-
Never has to be told things twice.
Matthew Sisson’s poetry has appeared in journals ranging from the “Harvard Review Online,” to “JAMA The Journal of the American Medical Association.” He has been nominated for a Pushcart Prize, and read his work on NPR’s “On Point.” His First book, “Please, Call Me Moby,” was published by the Pecan Grove Press, St. Mary’s University, San Antonio, Texas.
The Black Nightshade, by Patricia Phillips-Batoma
The Black Nightshade
The butterflies return
to find me stooped
among the landscape stones,
tugging out Fleabane,
unearthing thick stems of sharp Thistle.
This time of year
my neighbors side eye
each other’s yards,
fear that my weeds
might invade their lawns.
Am I at war with a side yard
I’ll never control? It’s tempting
to use Borax, sprinkle wide-spectrum
pre-emergence broadleaf weed block.
Some life forms need little tending.
I pull Oxalis, Ragweed, and Wild Violets
wearing suede gloves
decorated with flowers.
For something so aggravating,
we have the most evocative names.
Doors to little worlds begging.
Down some pricy meat at the Lamb’s Quarter bistro.
Then jingle the brass bell at the Purslane book shop.
Gobble a sundae at Nutsedge, leave with a box of fudge.
And finger the hand-knit cardigans at Velvet Leaf Yarn Barn.
But in all seriousness,
if I owned a watering hole in this town,
I’d call it The Black Nightshade.
Because that’s a place I know you’d go
to find out what’s on tap.
Meanwhile, on a Sardinian Beach, by Maeve O’Sullivan
Meanwhile, on a Sardinian Beach
She could be a young writer
this tattooed woman
in a yellow bikini
with laser-like attention
she watches for activity
along the shore
scribbling her thoughts
opinions and observations
into a hardback notebook
her work comes to fruition
much faster than that
of an author however
accosting the offender
in the act of stealing precious sand
she issues the on-the-spot fine.
How Spaffer Johnson got his name, by Colin Day
How Spaffer Johnson got his name
(or what I learned from John Wilmot , Earl of Rochester & Catullus )
Eton is a fine and competitive place
our betters arranged in a hierarchy of testosterone,
anticipation on each boy’s privileged and gleaming face
as they wait in thrall for the annual drumming of the bone.
It’s called the masturbatorium in extremis,
held in the dark days of December
a call to arms, firm grip on every penis,
the ultimate test of any patrician’s member.
They stand in line by the fives court wall,
up and over, spectacular arc of ejaculate,
tape measure ready to mark the viscous globules’ fall
distance, height, and consistency to debate.
The record stands where, with a resounding splat,
Johnson hit the far wall, proving beyond dispute,
he’s the man to garner all the loot
indeed that self-regarding institution’s greatest twat.
Cousin Ken, by Hilary Willmott
Cousin Ken
Cousin Ken from Cockermouth Cumbria
Has a wholesome rhythm to it.
Cuz-in-Ken-from-Cock-er-mouth-Cum-bri-a.
I loved him living there.
When friends asked after my cousin Ken
I would say ‘Oh, Cousin Ken? He’s well, still living in
Cockermouth, Cumbria.’
And then he called with his new address
making him cousin Ken from Romney Marsh, Kent.
I’ll never forgive him for this.
Hilary lives in Bristol close to the River Avon. She resides there with her partner and three dogs. Has been previously published by Templar Press, Bristol Poetrycan, Leaf, Velvet, Obsessed with Pipework, Exeter Broadsheet and Mr Garnham. Still planning to submit enough poems for a collection and still finding excuses not to send them off.
Submit (to poetry magazines) by Brian Kelly
Submit (to poetry magazines)
It’s easier to submit under the covers
Hands shaking a hasty rhythm
Ankles trembling as you click send
Convulsions into the pocketed atmosphere.
Beware the patient person
Who lies eye wide in front of lined white sheets
Empty minds bleached between verges and soft margins,
Where thoughts are an unmanned flock of birds
From hedgerow
Over hedgerow
To hedgerow....
I clip a wing on the drive there,
Ten percent over the legal speed limit
Leaves no discretion on five-foot-wide tarmac.
How insane am I? I wonder
Undiagnosed, I respond.
Stopping, I swing the door open
Step back from the vehicle
And pick up the bird, a crow.
Bringing it home smiling
I nail it to my refrigerator.
Good, another poem.
Brian Kelly is a bean from the west of Ireland who has recently given up his dreams and aspirations in the pursuit of poetry. What were once late night drunken chicken scratchings, etched onto any surface with something preferably sharp, are slowly evolving into bipedal beings traversing dry poetic lands.
Camp Shangri-La by Arran Potts
Camp Shangri-La
He stopped for a quickie one night in her tent,
Made love to an egg-timer till he was spent,
The sand had run out, he came and then went;
That’s love here in Camp Shangri-La.
She lowered his zip and was so full of hope,
But all he could manage were fumbles and gropes,
So Val took the lead and showed Guy the ropes;
That’s love here in Camp Shangri-La.
They’ve put up two tents but they’re on the same pitch,
Four of them starkers, not wearing a stitch,
They’d do half an hour then partners would switch;
That’s love here in Camp Shangri-La.
Tommy was fuming and she was to blame,
Cos everyone here in the camp knew his name,
Last night Sue had screamed it out loud when she came;
That’s love here in Camp Shangri-La.
At sixty she knows how to tease and to coax,
She pulled off his trousers with two short, sweet strokes,
Just as she’d done, with dozens of blokes;
That’s love here in Camp Shangri-La.
Ronnie and Eileen at home in a yurt,
Strong green oak decking to cover the dirt,
But plenty of cushions in case they get hurt;
That’s love here in Camp Shangri-La.
Sally McNally the Shangri-La vamp,
Looking for strapping young men round the camp,
She only needs someone to sleep in the damp;
That’s love here in Camp Shangri-La.
Just rooves of soft fabric as somewhere to sleep,
The campsite is hidden, the price not to steep,
Those zips, flaps and awnings have secrets to keep;
That’s love here in Camp Shangri-La.
Arran Potts is from Wolverhampton, UK. He has recently taken up poetry as a hobby to rekindle a love for writing; and is finding Jo Bell’s ‘52 Poems’ book really useful. He is supported by family and friends. He is hindered by his job.
Oscar and Silicon Valley, by Anne Irwin
Oscar and Silicon Valley
Zen-like on the car roof,
Oscar inhales the autumn air
absorbing the warmth of the metal
into his marmalade body.
Languishing in his sleekness,
pristine as Silicon Valley,
he preens himself, one eye
on the chaffinch in the rowan.
Empathic as the Valley,
with its modern sensibilities,
egg freezers for the nubile,
fuzz-ball, beanbags, mindfulness spaces
for its twelve-hour-day workaholics
with no time for slackers,
he emanates serenity
while his internal algorithms calculate
the trajectory of his leap
from roof to branch.
With a twitch of his tail
a narrowing of eye, he springs
and the chaffinch shrieks its dying call.
Anne Irwin’s poetry is inspired by the glory of the universe seen in the microcosm of everyday life, and her ever-increasing family. She has three sons, seven grandchildren and two great grandchildren. Her poems have been published in many literary journals including Poetry Ireland Review, Irish Left Review, High Window,
Instructions for a Scouse Night Out, by Jenny Robb
Instructions for a Scouse night out
With thanks to the Urban Dictionary
Go into town to buy some new clobber,
have a few scoops in the spoons.
Go home and have a good scran.
You need to line your stomach before pre’s.
Make sure all your drinking mates are sound;
those who buy a round and have your back.
Listen to your best friend. If she says
the lad you’re necking is meff, trust her.
At throwing out and up time, have more scran.
You’re not bevvied enough if you go home
without a Vindaloo, or chips, or a sway
in the Hot Dog queue. Neck it!
Jenny Robb has been writing poetry since retiring. She’s been published widely in online and print magazines and in anthologies. Her debut collection, The Doll’s House, Yaffle Press, has recently been published. She lives in Liverpool with her partner and the family cat and has one grown-up daughter.