Tag: family

Death Becomes Me, by Julian Matthews


By Robert Garnham 
Death Becomes Me

Hey Death!
When you come a-knocking, will you step out of the darkness and punch me in the face?
Or will you come from behind, tap me on the shoulder and say, Boo!?
Will you kindly whisper in my ear as I lay down to sleep?
Or will you drown me when I am in too deep?

Maybe I will see you coming in the distance, your long shadow growing shorter and shorter
And I will put my house in order and greet you at the door
Or maybe i will try to shut you out
And jump out a back window --

Perhaps, you will come as my breath grows shallow
Sucking the air from me at every deep pause
Maybe the grump in me will swallow up all my dry humour
And infect those around me like an angry tumour

Maybe you will chew me from the inside out
A slow, growing entity that would go unnoticed
Until it's too late  -- and I collapse like a hollow, empty shell
An insidious inception into several levels of my own private hell

Hey Death! 
When you do come --  early or late
Just don't bait me and let me wait
No prank calls, please. No creeping up on me!
No last-call dying disease tease!

I know I cannot change what's already fated
But it's never too late to exorcise and heal all this hatred
And Death, I have a bucket list now before I kick it
So let me go about my business and just fulfill it, ok?

I know I fear you not at this final, windy bend
As long as there's some wit left at this twit's end 
Don't curse me with any "sudden unforeseen circumstance"
Instead let the last twirl of this mortal coil be a whirling dervish dance!

Julian Matthews is a former journalist finding new ways to express himself through poetry, fiction, memoir and essays. His work has been published in the American Journal of Poetry, Beltway Poetry Quarterly, Borderless Journal, Spilling Cocoa on Martin Amis, and various other literary publications. He is a minority based in Malaysia. Link: linktr.ee/julianmatthews
 

Lecher, by S.F. Wright


By Robert Garnham 

LECHER
 
Genose
Had a goatee,
A large stomach.
A bible-thumping
Christian,
He’d sprinkle
Conversation
With:
“God sees all,”
Or,
“The lord giveth as taketh away.”
If someone said,
“Jesus Christ,”
Genose would say,
“It’s not his fault.”
 
Despite his Christianity,
Genose, 55, hit on
18-year-olds
Who worked at
The bookstore’s café.
 
I’m sure the girls
Thought him creepy,
But felt bad;
Hence,
No one reported him.
 
Once,
Genose got hung up
On an 18-yr-old
Blonde-haired girl;
Despite there being
No evidence that
The girl was interested,
He was heartbroken
When she told him that
She’d prefer if Genose
Never speak to her again.
 
In the breakroom afterwards,
Genose
Took large bites
Of a reheated
Philly cheesesteak sandwich.
Grease trickled down his chin,
His eyes wet.
 
“She was the one,” he said.
I punched out at the timeclock.
“She would’ve been perfect.”
 
I didn’t know what to say;
I mumbled something
About things like this happening;
Then walked out to my car.
 
On the way to
The hamburger place
Across the street,
I thought of Genose—
And felt
Distant disgust
Yet relief;
And wondered
Which was worse:
To end up like Genose
And be aware of it;
Or to become someone
Like Genose
And be so delusional
That you’d think that
A pretty 18-yr-old
Would be receptive
To your advances;
That you were as normal
As everyone else.
 

Beach Body Ready by Ben Macnair


By Robert Garnham 
Beach Body Ready 

The human body is never really 
Beach body ready. 
It is designed for rain, 
for offices, for chairs and sofas. 
So if I was to get a body, 
ready for the Beach, 
I would develop a Crab’s body. 
 
A hard outer shell, 
two razor-sharp pincers, 
I would grow stalks for my eyes, 
learn to walk sideways, 
and always look angry. 
It would be brilliant for the beach, 
but a dead loss in nightclubs, car parks, 
night classes, 
making friends would be difficult, 
and Line Dancing would be impossible. 
 
Chairs would be uncomfortable, 
young children would point and stare, 
and it doesn’t matter how good a hard shell is, 
it never protects you from the slings and arrows 
of careless laughter.
 

The Ballad of Laurel Blaney, by David Ludford


By Robert Garnham 
The Ballad Of Laurel Blaney

 

Old Tally was a minstrel
He wandered free and wild
And one day he met Annie
And Annie bore his child.
 
Now Laurel loved to play, she did
She loved to fool around
But went too near the river
And Laurel went and drowned.
 
Now if you should see Laurel
Just run away, just go
For Laurel’s now the devil’s girl
She’ll drag you down below.
Beware the deep, deep water
Beware the devil’s daughter.
 
Now think of young Jack, a boy
Who loved to dive and swim
Just think back for a moment
You may remember him.
Jack he was an active boy
Yes, swimming he loved most
He wasn’t scared of monsters
He’d never seen a ghost.
Jack stood on the riverbank
One lovely summer’s day
When Laurel grabbed him by the foot
And swept him clean away.
Beware the deep, deep water
Beware the devil’s daughter.
 
Remember too poor Jenny
Just strolling back from town
A shortcut by the river
She hadn’t meant to drown
A bully boy from school she saw
A silly girl he thought her
He rushed and pushed
She slipped and slid
And fell into the water.
No Jenny hadn’t meant to drown
Wicked Laurel dragged her down.
Beware the deep, deep water
Beware the devil’s daughter.
 
The purpose of these tales, my friends
That make you shake and shiver
Just beware
And take great care
When you are near the river.
For every tale, old or new
There has to be a moral
And my advice
I won’t give twice
Remember wicked Laurel.
Beware the deep, deep water
Beware the devil’s daughter.

End


Dave Ludford is a writer from Nuneaton, Warwickshire, where not many writers come from. Except George Eliot. His short works of horror and science fiction have appeared in a variety of online locations.
 

Me and Joanna Lumley, by Jennifer A. McGowan


By Robert Garnham 
Me and Joanna Lumley
 
I caught Joanna Lumley reaching
through the open window of a bakery for bagels
crisp and hot and frankly
 
much tastier than any dreams
that had consumed us
in our adult lives (as I said to Joanna)
 
and she agreed, then added, “Except for the Gurkhas.
I’m proud of that,” and I agreed,
then at the corner we went our separate ways
 
to stare at the sky, to dream of mountains,
of hot butter running everywhere, equally.

Jennifer spends as much time as she can in the 15th century, but comes back for hot showers and bagels.

 

Monitoring my body, by Carla Scarano D’Antonio


By Robert Garnham 
Monitoring my body
 
I don’t know when it happened,
the slowing down of the limbs
the desiccation of skin
the pains breaking in me.
I borrowed the body of a spider,
the waist plump
the back arched
and legs and arms thinning.
My hair changed too
from straight and black
to crispy and grey
like my Sicilian grandfather.
Impossible to revert.
 
Inside I feel the same as before
slimmer and in shape.
In my dreams I fit in size 10-12
the mirror reflects 14-16.
Nothing is safe.
 
This fragmentation is my doing
invoking change.
The days spiral down
like yarn unravelling in the wind
spinning a shapeless web.
 
Thank you for my life flowing.
Thank you for the years that will come.

Carla Scarano D’Antonio obtained her MA in Creative Writing at Lancaster University and has published her creative work in magazines and reviews. Her short collection Negotiating Caponata was published in July 2020. She was awarded a PhD on Margaret Atwood’s work at the University of Reading in April 2021.

http://www.carlascaranod.co.uk/

 

Wrinkles.UK, by Rachael Clyne


By Robert Garnham

Rachael Clyne – from Glastonbury, is widely published in journals and anthologies. Her prizewinning collection, Singing at the Bone Tree (Indigo Dreams), explores our broken relationship with nature. Her pamphlet, Girl Golem (www.4word.org), concerns her Jewish migrant heritage and sense of otherness. @RachaelClyne1

 

Circular, by Sharon Phillips


By Robert Garnham 
Circular

when the exit road was blocked
and a sign said men at work
although no men were working
and I couldn’t find the diversion
and the ring road kept on turning

when my satnav turned itself off
and the map from the passenger seat
was flapping in the footwell
and my armpits pricked with sweat
and the ring road kept on turning

when I’d forgotten the address
and I couldn’t find my phone
which had vanished from my bag
and I wanted to go home
but the ring road still kept turning

Sharon stopped writing poetry in 1976 and started again forty years later, after retiring from her career in education. Her poems have been published online and in print. Originally from Bristol, Sharon now lives in Otley, West Yorkshire.

 

The Naked Lecturer of Chorlton Cum Hardy, by Michelle Diaz


By Robert Garnham 
He targeted Catholics, female and busty,
he donned floral shirts, his hairline was dusty.

He invited me back for an innocent drink,
when my coffee arrived I was ever so pink.

For I came eye to eye with what looked like a nose,
but noses don't dangle. It hit me. I froze.

I tried to ignore his distinct lack of cloth,
when he asked me, quite brazenly,
Do you fancy a bath?

My coffee cup fell, up jumped a splinter.
The silence that followed was worthy of Pinter.

Then he wiggled and jiggled and willied about,
turned red in the face, then let out a shout;

I'd have thought there was more chance of winning the lottery
than slicing my love sack on Portmeirion pottery.
This damn piece of crockery's stuck in my scrotum!
His penis resembled a freshly felled totem.

I wanted to help, so I looked for a bandage
to dress his split bits and damaged appendage.
But my searching was fruitless, all I found was a sock.
And what use is that to a honeycombed cock?

Defeated, I left. I suppose it was rude,
but I'd started to tire of this fool in the nude.

So beware all young things of lecturer guile.
If he asks you to dinner, just say with a smile;

No thank you professor, I'd rather be dead.
If you value your testicles, quit, while you're ahead...

Michelle Diaz has been published in numerous poetry publications both online and in print. Her debut pamphlet ‘The Dancing Boy’ was published by Against the Grain Poetry Press in 2019.

She is currently working on her first collection.

 

My Son Teaches me How to Dress, by Jinny Fisher


By Robert Garnham 
My Son Teaches Me How to Dress

Last week, I staged a major wardrobe de-clutter, 
expelling my dated clothes: velvet Biba frocks 
flopped, sulking, in a heap; a purple boa
shed a turkeyful of feathers on the stairs. 
Platform over-thighs, Mary Janes, and Uggs 
trotted off to The Very Vintage Shop.

Last year, you bought sixty T-shirts at one go
from spreadshirt.com— all with geeky formulae 
and puns. In astro-language I can’t speak
or type, they jokify your starry mind
and meme the passion of your working life:
a massive telescope, its sweeping audit of the skies.

I can play that game: an online jaunt to Zazzle 
yields rainbow fabrics, wordy slogans in fancy fonts. 
I stuff my basket—fifteen hoodies and twenty tees 
should be enough to see me out: Grammar Ninja, 
The Oxford Comma, and Let’s Eat, Grandma.

Jinny Fisher lives in Glastonbury. She is published in numerous print and online magazines and has been successful in national and international competitions — including first runner-up in Prole Laureate 2020. In 2019, V. Press published her pamphlet The Escapologist. She is Principal Pusher of The Poetry Pramhttps://www.facebook.com/search/top?q=The%20Poetry%20Pram

Twitter: @MsJinnifer