The Cost of Living, by Louise Longson

The Cost of Living
(after William Carlos Williams)

This is just to say

I bought
the plums
that you crossed off
the shopping list

and which
you said at £3.50 a punnet is
taking the piss
for just six of them

I’ll explain
they were Irresistible
so I’ve turned off the heating
and am now so cold

Louise Longson lives in West Oxfordshire and works for a loneliness charity. She started writing poetry during isolation in lockdown 2020. She is widely published in print and online, and author of the chapbooks Hanging Fire (Dreich Publications, 2021) and Songs from the Witch Bottle: cytoplasmic variations (Alien Buddha Press, 2022). 

Twitter @LouisePoetical

 

A Dish Made by Myself, by Kate Ennals

A Dish Made by Myself 
(after Neruda)

I’m sick of tray bakes, pies in the sky
banquets, vol au vents, pastrami on rye
I want delectable. I want something else
So, here’s a dish I created myself

I am at the table surrounded by cooks
in tall white hats, holding meat hooks
They are going to make merry with my insides
and prepare an andouillette stuffed with spice

They cut a deep incision above my bottom
Turn my intestine into one big sausage
The sous chefs add garlic, salt, wine and onion
They truss me up to give me a final pummel

I choose my head to be served as a main
So out of my orifices, they squeeze my brain
it spills from my ears, a grey mucous sauce
crammed with crunchy bits, thick and coarse

They whisk it with vigour and drizzle on my tongue
itself yanked out of my jaw, and secured open
by tiny cheese cocktail sticks staked into the gum
My eyeballs are glazed and marinated in urine

Thus, I am dished, an andouillette and a head
wordless, stylish with a French vinaigrette
they say I am served best with a little green gem
and to toast my health, raise a glass of phlegm.

Afters will be sweetbreads scored from my heart
a selection of my stomach, chest and throat
This is my offering, basic fare, honest food
I’m happy to be sacrificed for the greater good.


Andouillette is a French coarse-grained sausage made from the intestine of pork, pepper, wine, onions, and seasonings. Andouillettes are generally made from the large intestine and are 7–10 cm in diameter. True andouillettes are rarely seen outside France and have a strong, distinctive odour coming from the colon.
 

On My Death Bed, by Kevin Higgins

On My Death Bed

I will not be calling out to any gods
though I'll probably drop Satan a text to thank him
and his daughters
for some of my more lively afternoons.

I will not be signing forgiveness treaties with the Frauds
but do tell them to stick their heads in the door
when it's least convenient
so I can stare at them and say nothing
and listen to their sphincters creak.

The rest of you who were just being
your honest arsehole selves
I forgive, absolutely
and hope you forgive me
my arseholeness.
There were days
it was all I had to offer.

KEVIN HIGGINS is co-organiser of Over The Edge literary events in Galway. He has published six full collections of poems: The Boy With No Face (2005), Time Gentlemen, Please (2008), Frightening NewFurniture (2010), The Ghost In The Lobby (2014), Sex and Death at Merlin Park Hospital (2019), & Ecstatic (2022). His poems also feature in Identity Parade – New Britishand Irish Poets (Bloodaxe, 2010) and in The Hundred Years’ War: modern war poems (Ed Neil Astley, Bloodaxe May 2014). Kevin was satirist-in-residence with the alternative literature website The Bogman’s Cannon 2015-16. 2016 – The Selected Satires of Kevin Higgins was published by NuaScéalta in 2016. The Minister For Poetry Has Decreed was published by Culture Matters (UK) also in 2016. Song ofSongs 2:0 – New & Selected Poems was published by Salmon in Spring 2017. Kevin is a highly experienced workshop facilitator and several of his students have gone on to achieve publication success. He has facilitated poetry workshops at Galway Arts Centre and taught Creative Writing at Galway Technical Institute for the past fifteen years. Kevin is the Creative Writing Director for the NUI Galway International Summer School and also teaches on the NUIG BA Creative Writing Connect programme. His poems have been praised by, among others, Tony Blair’s biographer John Rentoul, Observer columnist Nick Cohen, writer and activist Eamonn McCann, historian Ruth Dudley Edwards, and Sunday Independent columnist Gene Kerrigan; and have been quoted in The Daily Telegraph, The Independent, TheTimes (London), Hot Press magazine, Phoenix magazine, The Daily Mirror and on The Vincent Browne Show, and read aloud by Ken Loach at a political meeting in London. He has published topical political poems in publications as various as The New European, The Morning Star, Dissent Magazine (USA), Village Magazine (Ireland), & Harry’s Place. The Stinging Fly magazine has described Kevin as “likely the most widely read living poet in Ireland”. Kevin’s poetry has been translated into Greek, Spanish, Italian, Japanese, Albanian, French, Russian, & Portuguese. One of Kevin’s poems features in A Galway Epiphany, the final instalment of Ken Bruen’s Jack Taylor series of novels which is just published. His work has been broadcast on RTE Radio, Lyric FM, and BBC Radio 4. His book The Colour Yellow & The Number 19: Negative Thoughts That Helped One Man Mostly Retain His Sanity During 2020 was published in late 2020 by Nuascealta. His extended essay Thrills & Difficulties: Being A Marxist Poet In 21st Century Ireland was published in pamphlet form by Beir Bua Press last year. In December 2021 Kevin was both expelled from the British Labour Party, of which he was an overseas member, for publishing his poem ‘Tribute Acts’ in Socialist Appeal magazine and, on the very same day, awarded ‘Poet of The Year’ at the Labour Heroes Awards event at Conway Hall, London. Kevin now writers a regular book review page for Village Magazine, mostly focussing on poetry. This year Kevin received a dozen nominations for the position of Ireland Chair of Poetry – Ireland’s Professor of Poetry. Ecstatic, Kevin’s sixth full poetry collection was published in June 2022 by Salmon Poetry. For the past month Kevin has been in University Hospital Galway, where he is receiving chemotherapy for Acute Myeloid Leukaemia.

 

The Day I Cooked my Son’s Speech Therapist, by Beth McDonough

The Day I Cooked my Son's Speech Therapist

she arrived all kindly shiny in thunder, ahead
of his school bus return. Full of plans,
ASD-specific wisdom. He crashed in, appalled.
I no wanted to see her.
She flashed three PECS cards
at his face, intoned, in triple slow time
H e l l o K eir
I have come to visit you and your Mum.
Put her whole fisog in his.
I no wanted to see her,
He dashed off his jacket. Ran out the back door.
She nodded towards my space.
I can help you understand how he communicates,
what he needs to let you know.
We followed him into the garden. He whizzed
for the trampoline. She chanted
from the circumference upwards. More cards.
My son turned to the fence,
bounded furiously, bounce, bounce, bounce
I no wanted to see her. Away now. Away!
Solicitously, she advised me
Sometimes he speaks very fast, and runs words
into one another, so we don't know what he says.
He turned quickly, saw her still standing, transplanted
from class to his own garden,
then he spun away in disgust.
No wanted to see her.
Jumped on and on. Small splats of rain
did not dissuade him. I took her inside,
made coffee. Offered scones.
If we sat inside the conservatory we could
observe, as he leapt up by the lupins.
She enjoyed everything, I think. Seemed pleased to eat
that scone, as she helped me along.
My temperature rose.
So I brought extra coffee, closed a window.
She took one more scone. I shut the door.
My son trampolined on.
Yes, she'd love another scone.
Steam rose from plants.
He pogoed on.
I'll come out whenever you want,
I'd love to help. I sealed
the last window. She lifted
her third scone as I watched
sweat drizzle on her lips.
At last I persuaded her that we must not
take more of her weighted time.
Slowly, I sluiced her to the front door,
thanked her hugely, assured her
if we needed, we'd certainly phone.
She stilted formulaic farewells.
Away! Away! he replied.
Don't worry. We'll soon learn what he's saying.
As her car departed, my son
came in for our usual time
of juice, maybe cake, and told me
I no wanted to see her.
We hugged. Don't worry. We won't.
Soon after, the Therapist married
and moved to a faraway post.
I gave her a pretty coffee pot.
Considered very hot scones.

Beth McDonough’s poetry appears in many places; she reviews in DURA. Her pamphlet Lamping for pickled fish was published by 4Word. Recently, her site-specific poem was installed on the Corbenic Poetry Path. Currently Makar of the FWS, she’s found year-round in the Firth of Tay.

 

Frustrations in the Office, by Sarah James

Frustrations in the Office

i) Behind the blinds

The office chair has an angle
on everything. Going nowhere itself,
it still feels it’s earned a higher position,
would floor all competition.

Despite purpose-moulded plastic
and a firm spine, it has learned
to turn its back on others’ pressure,
cushions itself against stress.

It refuses to carry excess weight,
won’t budge when asked to do more
than simple tasks, barely conceals
its steel tones and hard edges.

But, once the blinds are closed
and the night watchman passed,
it spins round and round on the spot,
imagines taking charge, and stock.

Instead of stationery, new wheels.
Oil, polish and, with the whole office
waiting on its orders, hope even
of finding a desk that’s a perfect match.


ii) Non-PC Ideas

This desk is tired of feeling used,
fed up of ending up pushed
into a corner or back against the wall.

It’s had enough of being treated
as part of the furniture, overlooked
by all or constantly dumped on:

PCs, screens and mice; piles
of paper and files; coffee mugs,
dirty stains and laptops; boxes,

and more boxes. Five years too
working with the same chair,
and, when their legs brush, no sign

that it could share the desk’s rush
of anticipation, that hint of a shiver of
a tingle of electricity, static or not,

which lets ungrounded hopes thrive.
One day the chair will notice it –
the battered desk wishes silently…

but remains stuck there ignored.

Sarah James is a poet, fiction writer and photographer. Her latest collection, Blood Sugar, Sex, Magic (Verve Poetry Press), is partially inspired by having type one diabetes since she was six. For her, good laughter is a medicine, sometimes even a path towards positive change. Her website is at www.sarah-james.co.uk.

 

Ageing Process, by Jane Shaer

Have you ever looked in the mirror to reflect 
Your age
And noticed that cellulite and wrinkles have taken centre stage?
It's then you wonder to yourself
How old should I be?
What sort of a body is this to be given me?

Have you noticed the hair upon your head Is starting to thin out
When the roots underneath are turning White and suddenly beginning to sprout?
It's then you wonder to yourself
Am I really OK?
Why not have a wig when prematurely grey?

Have you ever been to the dentist and while
Lying in the chair
He's fitting you with a crown
And you gaze up his nose in despair?
It's then you wonder to yourself
This guy's a nice enough chap.
But I only wish he'd finish off
Bridging that gap.

Have you ever been to the doctor to get a Jab for the flu
And asked him time and time again
Can I make love to you?
It's then you wonder to yourself
If my senility's on par.
Why not have a man aswell
When I have a crush on my car?

Have you ever had a Garam or Tika Masala
From an Indian takeaway
Not realising the affects it has on you
For many a day?
It's then you wonder to yourself
If this stuff is going to keep on passing Through.
How much longer must I spend VINDALOO?
 

Internet Dating, by Fiona Sinclair

Internet dating

At first my ‘best side' photo is mobbed by men
so feel like Scarlett O'Hara at a ball,
until I discover lads seeking carefree cougar sex
or a meal ticket,
and from my own demographic;
inquiries after my hosiery,
and panting mobile numbers.

I search through my matches past Kray twin lookalikes,
married men wearing tell-tale dark glasses,
sad self portraits with bed sit back grounds,
for the handful of guys I might accept a drink from-

beginning to e-flirt with grin and wink emoticons,
over the week I virtual two time
men from Rochester and Deal,
who bus stop chat about work and their tea,
neither making the gear change up to seduction.
Difficult I suppose for most blokes
who barely scrawl a birthday card for mum,
to strike a balance between " Hello Sexy" and " It's raining here",
and write me into bed with Casanova craft.

Fiona Sinclair ‘s new collection Second Wind will be published by Dempsey and Windle Press, in Spring 2022. Her poems, which are broadly autobiographical, deal with the possibilities of later life; from learning to ride pillion on a motor bike to falling in love again. Fiona is also very open when writing about her health issues especially depression. Yet despite this her collections are full of humour and an exuberance for adventures when they present themselves. She lives in a village in Kent with a great many books and a feral garden that she battles with every year.

 

An Asinine Poem, by Bruce Morton

OK, somebody had to do it.
Get their ass in gear, so to speak,
And in so doing plant their butt
To write about the human posterior
Exterior—arse, heinie, tush, the fanny.
I am bummed that it had to be me.
But here we are. I am bummed that
It took us this long. We are not talking
About pirate’s booty here, but what
The French call the derrière, or shaken,
The can-can, oo-la-la. Accountants tell
Us we are in arrears when we get behind.
So would it be impolitic or cheeky of me
To assert that assholes who congregate
To legislate invariably are a rump
Session? At bare bottom, I must conclude
That all of this is but a prelude to us
Being sent head over keister, only to land
On the backside of our front side. I will not
Speak of the glutes in absolutes, because
That would, of course, entail deep-seated
Knowledge of the anatomy of the behind
Anything and everything. But I do know
That, like trains, we have a caboose, while
The Navy has Rear Admirals and poop decks,
And the simple automobile has a trunk
Where the elephant has its tail.

Bruce Morton divides his time between Montana and Arizona. His poems have appeared in many magazines, most recently Ibbetson Street, Muddy River Poetry Review, Sheila-Na-Gig, London Grip, ONE ART, and Ink Sweat & Tears. He was formerly dean at Montana State University.

 

The Thief of Rhyme, by Sandra Bond

THE THIEF OF RHYME


One morning in the summertime
I ran into the Thief of Rhyme.
I said “Good day” and “how’d’ye’do?
I’m Sandra Bond, and who are you?”

He grinned at me, and showed his teeth,
And said “Of rhyme I am the thief;
I steal from poets every day,
And then their rhymes all go to hell.”

I found, alas, that it was so;
My rhymes were gone, I had no more,
I couldn’t make them work a damn,
And was nonplussed what to do next.

I hoped good luck might come my way;
Instead I met the Scansion Thief,
Who took away my ability to make poems scan,
And now they’re as blank as a very blank thing indeed.
They don’t even all have the same number of lines per stanza any more.
Oh bloody hell.

Sandra Bond is a Staffordshire novelist, poet and tragedian who
considers it most unfair that writing one piece of verse every month
or so does not attract a living wage. Her first novel, THE PSYCHOPATH
CLUB, was published in 2021.
https://www.sandra-bond.com/

 

Live Laugh Love, by Roise Curran

“Live Laugh Love”
-Kim Jong Un

Former housemate Cillian (from Donegal)
bought him on Amazon for £12.99
and hung him high in the kitchen/living room
for all passers-by to admire his great glory.

He looks mighty chuffed
in front of his military sub,
and, cigarette in hand,
is quoted saying “live, laugh, love”
in beautiful curly cursive,
so, all us Irish twenty-whatever year olds
can look upon his superiority
and salute while preaching
our daily affirmations.

Right before we take our own cigarette
and burn a little hole in the flag fabric,
place a stolen public toilet sign over his head,
and drunkenly use him as a makeshift tea towel.

We’re just doing as we’re told, respected comrade,
We’re “live, laugh, love”-ing

Róise Curran is a 19 year old poet from Galway who has barely published any work but will get around to it eventually. She started writing when she was 15 as a way to express her disdain for school but I suppose she’s moved on a little. Now, she writes poems about all sorts of things like moving out, mental health and a good few about her cats. You’ll likely be hearing from her soon, she never shuts up (which is a good thing!)