A joke in French
We had it tough. Miss Finnegan,
hair bunned so tight it stretched her face
taut, gave it a lift plastic surgeons
could only dream of. When she took Religon,
fine! French brought out her psychopathy.
She terrified us, stalked our dreams
like a sexless sadist from a video nasty.
I have lost all hope. You lot are a disgrace,
she'd say, her head boiling without steam.
But get her talking about Jesus
turning water into wine, or talking Zacchaeus
down from his tree, and she was a love!
And man, she could make her pupils laugh:
Remember it this way: one egg is un eouf.
Tag: humour
It Wasn’t Me, by Neil Fulwood
IT WASN’T ME
(after Shaggy)
Sue Grey came in and she caught me red-handed
puking on the Comms Room wall.
Picture this: there were two guys fighting,
the shindig was a free-for-all.
How could I forget that
I’d sent a round robin email?
All the invites I’d texted out,
she’d screengrabbed the WhatsApp trail.
How could you give investigators access to your office,
empty bottles and a discoloured patch where the boff is,
nasty stains spattered high enough to reach the soffits:
all bad publicity from which the Opposition profits.
You want to be a true blue Conservative MP?
Then deny the evidence that’s there for all to see,
never admit a single transgression publicly
and lie through your teeth just like me.
But she caught me chugging Bolly
(it wasn’t me)
leaving drinks with a colleague
(it wasn’t me)
BYOB for a skinful
(it wasn’t me)
can of lager with the ring pulled
(it wasn’t me)
fifth of vodka with the cap off
(it wasn’t me)
told security to fuck off
(it wasn’t me)
and now it seems the party’s over.
I’m not going to say I’m sorry for the parties I held,
but I really wish the media would stop giving me hell.
I’ll maintain I followed legislation set down at the time
and I’ll whinge and piss and bitch about my fifty quid fine.
And all because …
Sue Grey came in and she caught me red-handed,
knocking back the Pinot G.
Picture this … well, I guess you don’t have to,
some bastard took a picture of me.
Neil Fulwood was born in Nottingham, England, where he still lives and works. He has three collections out with Shoestring Press: No Avoiding It, Can’t Take Me Anywhere and Service Cancelled. A collection of political satires, Mad Parade, is due for publication with Smokestack Books in July 2022.
Worms, by Sarah Dale
Worms
…are hermaphrodites, and much addicted
to venery, and consequently very prolific.
History of Selborne Gilbert White
Be as jealous as you like,
worms have it both ways
without shame, or guilt –
check them out,
any warm damp night
going at it hammer and tongs
all over your garden.
Do old worms complain
about the morals of the young?
You bet they don’t –
there’s no age of consent
if you’re a worm,
no tabloid worms digging dirt,
bugging other worms’ phones.
Every single worm is busy
having as much sex
with as many other worms
as he/she/they can possibly reach
and making as many new worms
as he/she/they can manage –
good news for gardeners.
After a misspent youth in libraries and museums, and some time in between, Sarah has finally achieved her dream job in Lichfield working for the Samuel Johnson Birthplace Museum (and book shop). She writes for fun and enjoys swimming.
The politics of envy, by Janet Sillett
The politics of envy
1
I am eaten up
each day waiting in front of this house
for the 24 bus to King’s Cross
twisted with it
transfixed at the stuccoed veneer
draped with wisteria
shot with purple perfuming the hallowed air
of Keat’s ‘melodious plot’
I loathe the inhabitants of the house with Heath views
Hampstead Heath once wild now as tamed as the middle class
reading beige sex in not-quite-made-it booker longlists
a city banker’s family perhaps
he looks like one
the nanny, dragging a small child
his jacket emblazoned by the crest of a school
where five year olds can learn Mandarin. And there are
no additives for lunch
a small fretful dog, pampered
by plaid rugs and vegan biscuits
sniffing at Hampstead’s rare detritus
I want that banker to be exposed
as a uber fraudster
the nanny sent back to Sweden
the poor dog in kennels
the child in state school, tieless
picking at frozen chips
the elegant façade cracked
its blue plaque smashed
11
After work in Betjeman’s Parliament Hill café
I take what counts for tea in NW3
tiny petals floating in urine coloured water
High up here with London displayed
like a Victorian panorama
a glimpse of the Shard, fuzzy in sun mist
I catch a bus, sweat smelling, to Highgate
a pilgrimage to Marx’s grave.
Would he have disowned me
if we had met on his weekly walk on Hampstead Heath
or at the meeting of the Congress of the Communist League
the Red Lion Soho
explaining the tenets of socialism
over borscht and German beer?
Yes of course he would
it’s just I crave that house
with its perfect symmetry
I am, I’m afraid,
largely
unreconstructed
Janet Sillett recently took up writing poetry and short fiction again after decades of absence. She has had poems published in the Galway Advertiser, Spilling Cocoa, Green Ink Poetry, Paws for Thought, Poetry Plus and flash fiction published in Litro. She just retired from from a think tank.
A Mossy Rock in the Forest, by Robert Garnham
There's a mossy rock in the forest
A place I always like to go
A mossy rock in the woods
I go there when I'm feeling low.
And I sit on the rock in the moss
And it's hard and it makes me forget
I sit on the rock in the woods
If it’s damp it’ll make my bum wet
There's a mossy rock in the forest
Surrounded by foliage and leaves
And big arse rhododendrons
It's a place that puts me at my ease
And I sit on the rock in the moss
And the ground it's wet and spongy
And there's mushrooms sprouting up
And other types of fungi
There's a mossy rock in the forest
Its ok I suppose it could be worse
There are badgers and squirrels in the forest
That's it now I'm done with this verse
And I sit on rock in the moss
I only like to sit here a whiles
And the rock is not exactly comfy
You wouldn't want to sit here with piles
There's a mossy rock in the forest
the branches here are terribly scratchy
I try to watch some porn on my phone
But the WiFi signal here is patchy.
And I sit on the rock in the moss
And I sit on the rock in the moss
And I sit on the rock in the moss
And then my mind wanders off.
Robert Garnham has been performing LGBT comedy poetry around the UK for ten years at various fringes and festivals, and has had three collections published by Burning Eye. He has won slams in places such as London, Edinburgh and Swindon and headlined or featured at events such as Bang Said the Gun, Raise the Bar, and Milk and in 2019 was the Hammer and Tongue featured artist for a tour of the UK. He has supported artists such as John Hegley, Arthur Smith and Paul Sinha. His website is https://professorofwhimsy.com/
Davros’s Daughter, by Simon Williams
Davros’s daughter
rebelled in her teens,
took against her father’s
domineering ways.
By 20 she had left Skaro
now glides the streets of Brixham,
never too close to the slipway.
Davros’s daughter
doesn’t take well to jokes
about climbing stairs.
Lives in a bungalow, though.
She enjoys cool jazz,
looks straight to camera,
murmurs ‘Extemporise’.
Davros’s daughter
has a blue light on her forehead.
She believes she got the idea
from an Indian lady.
She dresses from Saltrock,
fleece hoodies hide her spiky hair,
to blend with other Brixham folk.
Davros’s daughter
wears a bra with 48 cups,
often slips it off and sighs
at the end of a long day.
She knows little of love,
can be quite abrupt
but, oh, how she glides.
Simon Williams has been writing since his teens, when he was mentored at university by Roger McGough. He has nine collections, the latest being The Magpie Almanack (www.simonwilliams.info), from Vole, published December 2020. Simon was elected The Bard of Exeter in 2013, founded the large-format magazine, The Broadsheet and published the PLAY anthology in 2018.
The Cannibal who Came to Tea, by Arran Potts
The Cannibal Who Came to Tea
Hello I see you made it then?
I’m not too hard to find.
Between your teeth? Aperitif
Small pieces of my mind.
This spoon is finest silver
So you can gouge and pry;
I’ll never see, your love for me
As I give you the eye.
I’ll lend an ear, poke out my tongue,
If you can fit it in.
Then I propose, you pick my nose;
My gravy on your chin.
No-one knows that we are here,
I’m glad that we’re alone.
No need to cook, I’ll let you suck
The marrow from my bone.
Pull me apart, eat out my heart
Slurp up my blood and bowels.
I’m such a giver, please take my liver
Mop up my mess with towels.
Make some bacon from my back
Carve into my cheek;
Have a nibble, on my nipple
Chew me till I'm weak.
Now take my hand, you’re nearly done,
I see you have the guts.
It doesn’t hurt, and for dessert
I’ll let you eat my nuts.
Arran has friends who are poets and fancies a little bit of the glory and adulation they receive. He’ll also settle for someone saying, ‘That’s ok.’ He’s a husband, father and teacher.
Help, by Yash Seyedbagheri
Help
a word shoved into a garbage can
you know? beneath Swedish meatballs and empty Pepsis
help is a man beneath the sun-colored walls of some coffee shop
carrying cardboard shame and coughing toxicity
help is
a flaccid man in Bermuda shorts
murmuring sudden defeat, you know the type
waddling down a street with divorce papers, smile an upside-down parabola
you’ve only explored five hundred options
but help is a triviality. you know
every problem has its own solution
so help yourself
brush away words stalking like crazed Lifetime psychos
delinquent, overdue, risk, management,
they’re just little crumbs
nothing that can’t be swept away
and waterboarded in Merlot
doused with a few episodes of Curb Your Enthusiasm
for comparison. after all Larry David got a fatwa from the ayatollah right?
and if they rise to the surface----visualize positivity
a week out
a month
a year into the expanse of time
just never ask for help
call it assistance, don’t call it help
it’s feedback.
yes, you’re sinking into negativity, you’ve bounced too many times
liver rotting like Rasputin, eyes rife with rings
get feedback, evaluate the options
eat more TV dinners, don't eat onions, visualize, self-actualize, cut streaming services while
asking for encouragement, support, assistance
after all you’ve sunk a little lower
the numbers like icebergs, your sheets stale, space rife with dust
but it’s just support, fine it’s assistance
but it’s not help
Yash Seyedbagheri is a graduate of Colorado State University’s MFA program in fiction. His work has been published in The Journal of Compressed Creative Arts, Write City Magazine, and Ariel Chart, among others.
The I.T. Guy, by Sarah James
The I.T. Guy
Wired, he talks high speed
in a language beyond us,
our faces blank screens.
He e-valuates our systems
with zip and drive,
recommends new leads.
He keeps our firm’s site
secure; but can’t help close
frozen windows.
His fast processing
mega memory leaves us lost
for Word’s.
His virus checks clear,
we return to work
with our hacking coughs.
And yes, when we call
to request more back-up,
sometimes he bytes.
Sarah James is a poet, fiction writer, journalist and photographer. Her latest collection, Blood Sugar, Sex, Magic (Verve Poetry Press), is partially inspired by having type one diabetes since she was six. Good laughter is a medicine she’s not always found easy to come by. Her website is at www.sarah-james.co.uk.
Inside my Head, by Susan Lindsay
Inside My Head
After Grayson Perry, Channel 4
Under the skull
shaped to be my own,
smooth curves I’d love
to run my hands along
when gone –
I do love bone –
wild circuitry.
All my fingers tip
flashing right in;
impulses deployed
for digital dance
the beat of my feet,
heat and my heart’s
thump, thump
never missing a beat
flowing red, taking
oxygen from the rise
and fall of my chest
cleared blood,
dear kidneys
thank-you, back for more
once it’s done servicing
the sorting house, my brain
and, still not mentioned –
fuel, taste, the process of waste.
I can see
not only through skin
that tree –
100 billion neurons
dendritic spines, soma –
deluged with light
ALL around perceived
to sort, prioritise
register, file
for recall
reaction
through changing
expressions,
voice,
speech central
sound: sound-box – check Ö
language, words – check Ö
tone- check Ö
mouth shape – check Ö
sufficient breath – check Ö
speak…. AND listen,
more again,
simultaneous
transmission
in system central
who knows who,
what, is behind it
maybe the great
sky mother –
and monsters
God and the gods,
utopias, dystopias
vibrating paint box
clay, the earth
the moon and, yes,
the stars
my own rocket
control centre
blasts off
in less than nanoseconds
24/7
grey matter matters
the gut’s great
processor
under the skin,
who needs cylinders
I’ve got brain
the world
inside my head.
Biography.
Susan Lindsay … a most compelling and unique voice in Irish poetry, Eamonn Wall, at her February 2022 Reading, University Missouri-St. Louis. Milling the Air (2018) is Susan’s third collection from Doire Press. Her work is published in journals, she has read at festivals and facilitates Conversations mediated by poetry. Blog: http://susanlindsayauthor.blogspot.com