Tag: loss

My last joke, by Jorge Leiva Ardana


By Robert Garnham

My last joke
After Luis Buñuel

Should the day come and my soul be released,
though a convinced atheist, I’ll call in a priest
and the barber that messed up so much my hair
will tell those presents about our secret affair.

The service will be set around plastic flowers,
the ceremony held at the most inconvenient hour.
Bagpipes will be nicely played out of tune,
your headache will last until the following June.

A party horn shall be resting on my lips,
a bubble pipe between my fingertips.
Buried in a place I’ve never been,
I thought –why not- of Aberdeen.

Arranges will be made as follows:
Weeping or sorrow not allowed.
A ventriloquist must read my eulogy.
Please, invite to speak an expert on ornithology.

All the money I have although is not much,
will be donated where it’s really needed,
the Oregon Taxidermy Association,
where I can finally get a standing ovation.

My relatives won’t get a dime
which might be the last of my crimes,
and if you think all the above sinister,
remember a Nobel Peace Prize
was awarded to Kissinger.

 

This shit?, by Jo Sachs-Eldridge


By Robert Garnham

This shit?

Is this it?
This shit?

Are you happy with your lot?
Cos I’m fucking not.
Not with this lot.
This rot.

Not this.
Is this it?

This shit?
If it is
I’ve had enough.
I don’t want this lot.
Not this.

I don’t want the trying
The crying
The sweating
The giving
Of everything
I’ve got.
For what?

Is this it?
This shit?

But don’t you dare ask
What do you want?
Cos who fucking knows.
But it’s not this.
Not this lot.
Not this.

She’s happy with her lot.
But what’s she got
That I’ve not?
What is it?
Maybe she just doesn’t know
What she’s not got.

Or maybe
I don’t.
Maybe whatever I’ve got
Is the lot.
Maybe you just grab that shit
And you say
THIS IS IT!
I’VE GOT IT!
This lot.
My lot.
I’ve got it.
I’VE GOT
THE LOT!

Jo Sachs-Eldridge lives in Leitrim where she mostly dreams up community projects involving bikes and words and other stuff she naively believes will change the world. She has notebooks full of writing that is legible to no-one and a daughter who is a wonderful distraction from everything.

 

Wallpaper, by Anne Donnellan


By Robert Garnham

Wallpaper

It was no menial operation nineteen sixty seven
when the decision was taken to paper the kitchen
with walls that climbed to the sky flaking and bruised
a reek-making timber ladder from a the hayshed was used
lugged to the decorating site by a fleet of giddy relations
eager to exhibit their finer skills of smoothing ridges
they attacked the tedious of peeling scraping and filling
made festival of their chalky chore
with whistling lilting and tale spinning

our mother muttered at the makeshift paste bench
fretted over flour and water stirred in thick strictness
relieved when all was prepped to hang the sticky sheets
her elder sister plumbline dangling matched patterned strips
precision scissored like the postman’s moustache
she sponged bubbles and creases without blemish
patted the pink Victorian flora
splashed on velvet red finish

after decades of fading layers
I remember decorators no longer there
stories crawl from wallpaper

Anne Donnellan’s work has been published in the NUIG Ropes Literary Journal 2018 and 2019, A New Ulster, The Linnet’s Wings, Bangor Literary Journal, Boyne Berries, Poethead, Vox Galvia , Clare Champion, Orbis and The Galway Review. She was a featured reader at the March 2019 “Over The Edge: Open Reading” in Galway City Library.

 

Neighbourhood Watch, by Maurice Devitt


By Robert Garnham

Neighbourhood Watch

When she woke he was gone,
the scent of him still dawdling
on the stairs, phone
and wedding-ring abandoned
on the console table in the hall.

After three weeks, she packed
his clothes into a suitcase
and left it in the porch.
In the morning it had vanished
except for the shoes he never liked,
perched squarely on the step.

A woman down the road,
dowdy and disinterested
since her last romance,
has been spotted wearing lipstick
to the bin and the milkman
has remarked, in the form
of an open question,
how she’d increased her order
from one bottle to two.

Winner of the Trocaire/Poetry Ireland Competition in 2015, he published his debut collection, ‘Growing Up in Colour’, with Doire Press in 2018.

His poems have been nominated for Pushcart, Forward and Best of the Net prizes and his Pushcart-nominated poem, ‘The Lion Tamer Dreams of Office Work’, was the title poem of an anthology published by Hibernian Writers in 2015. He is curator of the Irish Centre for Poetry Studies site.

 

Mourning what he lost, by Rodney Wood


By Robert Garnham

MOURNING WHAT HE LOST

Steve found it boring caressing his hair each morning
because his hair was arrogant, luxuriant and elegant.
He never thought one day he’d need a transplant
for the 2 foot Mohican attached to his cranium.

Hair dyed pink geranium and not bright cerulean, maroon,
bubble gum, cinnamon, electric crimson or even violet-red (medium).

He poured cereal into a bowl then found he had no milk.
His blessed day had shattered, gone belly up, shattered
and his hair had fallen out. He could no longer caress,
flout, shout or watch sprout from his cranium

hair dyed pink geranium and not bright cerulean, maroon,
bubble gum, cinnamon, electric crimson or even violet-red (medium).

All his hair had vanished but one remained and thrived
and each morning he combed, shampooed and conditioned,
trimmed, pinned and gelled that strand so it lay flat on his head.
Then he lost that single hair as it departed his cranium.

A single hair dyed pink geranium and not bright cerulean, maroon,
bubble gum, cinnamon, electric crimson or even violet-red (medium).

What should Steve do with it? Have it displayed or framed,
dipped in formaldehyde, electroplated or suffer immersion
in alcohol? Steve must let everyone know a 2 foot Mohican
once flourished on his now empty cranium.

That hair dyed pink geranium and not bright cerulean, maroon,
bubble gum, cinnamon, electric crimson or even violet-red (medium).

Rodney Wood lives in Farnborough, co-host the monthly Write Out Loud (Woking) and is widely published.

 

Denis of Hackney, by John Davison


By Robert Garnham

Comic craftsman, Denis Norden, gone at ninety-six
Settling into heaven, to play his verbal tricks.
Catching up with colleague Frank, two miners of great mirth,
You’ve left a joyful legacy of incalculable worth.

He worked behind the curtains, shifting props and scenery,
Ran a cinema in Watford and got a job at BBC.
Writing for Dick Bentley, and later Richard Briers,
Competing against Eric Sykes, and friends of Barry Cryer’s.

They ruled the roost for four decades, Denis Norden and Frank Muir,
You tickled all our funny bones, we couldn’t ask for more.
Enriching our vocabulary, provoking those in power,
Maximising merriment in every wireless hour.

Our descent into vulgarity you generally ignore,
You helped to archive quips and jokes from those who passed before.
It saddened me to read about your unexpected death
Now no new dialogue can flow from Dad, or Ron, or Eth.

You helped expose the fibs behind the adverts on TV,
The way commercial pressures tend to filter what we see.
You wrote some scripts for Hollywood, but never lost your touch
With families who think that West End theatres charge too much.

Alternative comedians now struggle to hold sway,
Not many have the stamina to write a film or play.
Britons watching widened screens will not forget you lightly,
But those traffic lights in Bal-ham no longer shine so brightly.

John Davison is a London-born writer of parodies, poems and lyrics, often on topical issues. He admires unusual puns and wordplay, frequents open mics in outer London, collaborating with musicians whenever opportunities present themselves. He supports a Twitter account https://twitter.com/sidsaucer

 

Thoughts on finding an old till receipt by Bill Allen


By admin

CUPPA SOUP
EMERY BOARDS
NIVEA
MINI MUFFINS
BISCUITS 400 GRAMS
SUGAR
CHOCOLATE CAKE
You were fat, Sam.
VALUE SHAVING CREAM
RAZORS
I miss the mess.
PAN SCOURERS
LOW CALORIE SOUP
OLIVE OIL
TUNA CHUNKS
BROCCOLI 0.335KG
Oh, Sam,
you should have eaten your greens.
LEEKS LOOSE
RED PEPPER 2 @ £0.78
CONDENSED MILK
You were so naughty,
Sam!
MAYONNAISE
No more little white
mountains on plates.
FULL FAT MILK
McCAIN CHIPS
BURGER ROLLS
BUTTER
FLORA LIGHT
RED WINE
ORANGE JUICE
APPLES
LETTUCE
ON VINE TOMS
YOGHURT
HALF FAT MILK
TESCO SAUCY
STRAWBERRY LUBRICATION 75ML
Oh, Sam! I miss you.

Bill Allen lives in West London and writes in retirement. Worldly wise, a wicked sense of humour, he often observes the darker aspects of life as well as the curiously funny. Likes old films, modern plays, wine mixed with a pinch of conversation. Bill has published a few poems and short stories.

 

The Lost Property Locker by Robert Nisbet


By admin

Dai the roadman takes stock after the town carnival

Two fivers, par, also the eight pound coins.
Small change, considerable. The credit cards
we can return, likewise two of the three
pensioner’s bus passes, but it’s tough luck
on Archie McPhee of Ross and Cromarty.
Five T-shirts this year: Hard Rock Café,
Gorseinon Rugby Club, U of Glam, Jesus Saves
and Little Red Riding Hood Kicks Ass.
With the smoking ban in pubs, we’re down
to just the one ashtray, a Watney’s Pale.
We have a cuckoo clock, a Nuneaton Borough
library card, a flour bag marked Bowker’s Mill
and a toilet roll. The knickers we could have
predicted, just one pair this year, pale blue,
medium to large. Two scraps from letters,
one from “Billy”, who sends condolences
upon his auntie’s flatulence, and one
from “Jazza”, who loves her Kev to bits.
Three photographs (two boring, Auntie-Gertie-
on-the-prom-at-Margate stuff), one though,
a very candid one, Katie, the Mayor’s wife,
taken surely thirty years ago. And wasn’t her
skin so soft and silky then? Wasn’t it just?
My oath.

(Previously published in the Prolebooks pamphlet Merlin’s Lane, 2011)

Robert Nisbet is a Welsh poet with over 200 publications in Britain, as well as a number of appearances in the USA, in magazines like San Pedro River Review, Constellations, Illya’s Honey and Clementine Unbound.

 

What’s the John Dory? by Susan Evans


By admin

Message in a bottle; excuse my Squid ink scroll.
To my darling John Dory, my fellow tortured Sole.

You’re in another Plaice, but I just want you to know,
I don’t think you a Pollock; I love our ebb & flow.

Monsieur Mussel, you put the Rainbow in my Trout;
I’m like Wild Salmon when we dive & splash about.

& when I’m feeling Crabby you don’t try to suck me in;
you’re gentle & protective fending off those Crayfish twins.

The world’s our Lobster in my aqua fantasy;
you & I go deep, making under water alchemy.

Playing all of your top Tuna, on your favourite Sea Bass,
I swim, you sing: ‘I see you baby (shakin’ that ass)’.

Alas, I cannot be your Mermaid ‘plenty more fish’ says head;
you’ve a Dover Sole mate; shan’t put my Roe in one seabed.

I can be a Tiger Prawn but you can see that I’m no Snapper.
Okay, I find you dishy & your swim suit’s very dapper.

But be more Monk fish; your Sole mate’s down at Eel.
I’m just a red Herring & I’ve no wish to steal.

Without you, I’ll feel gutted; be like losing a fin.
But you’re caught; could be worse, could be Sardines in a tin.

Susan Evans is widely published; online & in print; appearing in: The High Window, Ink, Sweat & Tears, The Journal, Message in a Bottle, Nutshells and Nuggets, Obsessed With Pipework, and Snakeskin, among numerous others. A Brighton-based Performance poet, Susan was nominated Best Spoken Word Performer in the Saboteur Awards, 2016.

website

 

Moulding by Susan Jordan


By admin

Yes, that’s right, fibreglass. Wonderful stuff.
You can make anything out of it. It’s been
my passion ever since my dad taught me
how to work it. I made boats then – simple.
Now I’ve moved on to furniture, shelving,
cupboards, you name it. Whole house full
of my creations. You paint it up, see – no end
of colours and ideas. You’d love the retro
psychedelic swirls, not to mention the faux
gilt chasings and the pink elephant settee.
I made the bed, the heart-shaped headboard
with the dralon inset – I do upholstery too –
and the clawed feet invisibly strengthened
with bits of old hoover pipe. And you’d die
for the bathroom, the bath I did in the shape
of a sardine-tin, open of course, complete
with key, and fishes painted on the bottom.
Pity the grinning octopus on the other wall
is a tentacle short – still, the eyeballs swivel
when you pull the cord and the oyster
loo seat plays three different tunes. It’s like
this stuff expands to fill the time; it hardens
into a shell that hides the space inside.
There wasn’t so much of it while she was alive.

Susan Jordan has always written prose but until recently wrote poetry only from time to time. Inspired by 52, Jo Bell’s wonderful online group, she started writing a lot more poems. Her poems have appeared in print and online magazines including Prole, Obsessed with Pipework, Snakeskin and Ink, Sweat & Tears.