The Birds and Bees at Aldi’s Checkout, by Lorraine Carey

The Birds and Bees at Aldi’s Checkout

Showering my five year old
one evening in the run up
to Christmas, he casually
enquired whether Santa Claus
could see his privates,
and hear him fart in bed.

Stifling a laugh I realised days before,
I’d declared Santa could
see and hear everything
At the supermarket checkout,
he asked do I have to be a Granddad
when I grow up ?

Bagging groceries as fast as I could,
I replied, well, that depends
and you would need to be a Dad first.
I knew what was coming
and so did the shoppers in the queue.
He appeared a bit flummoxed

and asked how do I be a Dad then ?
Using age appropriate language,
I attempted an answer while loading
the boot, hoped it would suffice,
explaining it would be a really, really
long time before he was a man and had

to worry about a girlfriend or things like that.
Driving home, he hummed Jingle Bells
behind me, elevated in a booster seat,
with his chocolate crusted cupid’s bow,
firing off questions to his teddy
like sparks from a Catherine Wheel,

saving this one just for me.
Mum, what if I’m all growed up
in love like a man with my lady
and forget what I have to do ?

Lorraine Carey’s a poet from Greencastle, Donegal. Her poems are widely anthologised and have appeared in Poetry Ireland Review, The Waxed Lemon, One, Abridged, Poetry Birmingham, The High Window, Ink Sweat &Tears, Orbis, Eunoia Review and The Honest Ulsterman. Her art and photography have also featured online and in print.

 

There Was Once A Girl with Red Glasses, by Pip McDonald

There Was Once a Girl with Red Glasses

There was once a girl with red glasses
She wasn’t the same as other lasses
Her specs became
Her eternal flame
It was she was different from the masses

The glasses were clearly special
They were made of magic metal
When she took them off
The magic was lost
Like a flower who lost a petal

She tried to wear different colours
But alas life became duller
She became depressed
Lust for life was less
She just couldn’t cope with another

The answer was simply red
Or she would be found dead
She would fall down
To the ground
To red she would be wed

There will simply never be another frame
And life will never be the same
They looked after her face
Like a warm embrace
It makes her want to dance in the rain

She couldn’t live without her specs
Without them she would become a wreck
Her red is on
She’s got it going on
Red is really better than sex

Some people say she should change
But she thinks that this would be strange
Why fix it if it works?
Because red rules the world
Her glasses make her sane

There was once girl with red glasses
Who rose like a phoenix from the ashes
She never looked back
Red is the new black
Eyes flickering with red flashes

Red was in her DNA
A revolution, the one, the way
Red was the light
It shines so bright
Red glass are here to stay

Pip McDonald writes and performs her own poetry and is a DJ for The Thursday Night Show. Pip has written and performed original poetry both in an online capacity and at live open mic events including Conversations make Connections event, part of London Festival of Ideas organised by Open Ealing Art Centre, the Oxford University English Society Poetry Night, Write Out Loud and Gobjaw in London. You can follow Pip on Twitter: @PipMac6
Photograph

 

Five More Limericks, by Mark Totterdell

FIVE MORE LIMERICKS

He was not one of life’s born attackers,
Just the gentlest and best of alpacas,
But he spat and he bit
And behaved like a shit
When the vet came to snip off his knackers.

The whale that is known as the Minke
Is ever so streamlined and slinke.
Though it isn’t to blame,
It’s a terrible shame
That its breath is so horribly stinke.

There was an old hippy from Warwick
Who dropped acid to feel all euphoric,
But he should have been stopped
As the acid he dropped
Was one hundred per cent hydrochloric.

‘So is this how I meet the Grim Reaper?’
Cried the junior elephant keeper,
As he fell in the pit
Full of elephant shit
And sank deeper and deeper and deeper.

There was an old fellow from Shoreham,
Whose trousers slipped down as he wore ‘em,
First revealing his crack,
Then his dick, then his sack,
Till quite frankly you couldn’t ignore ‘em.

Mark Totterdell’s poems have appeared widely in magazines. His collections are This Patter of Traces (Oversteps Books, 2014), Mapping (Indigo Dreams Publishing, 2018) and Mollusc (The High Window Press, 2021).

 

AlApHaBeTi-KiNtSuGi, by Mandy Beattie

AlApHaBeTi-KiNtSuGi

a poem or three or seven
on the march
should be the easel on which it squats thrusting
its chin out & leaving

beetroot stains & cyan

on finger prints hectares after it’s been written
and read it should
dive into a murmuration of starlings & larks not treading
water as jellyfish do but leave us
rubber-necking miles after it’s been seeded into

a stanza-pancake dripping

butter & gooseberry jam with dollops

of double cream melting

in the mouth with or without capitals
commas & fullstops for Pollock’s art
of oxygen in a tempest of ukulele
& didgeridoo or the unexpected hiccough
of spilt manuka ginger & star-anise

scratching a dictionary & search engines in caps
& gowns or street-smarts clamping the thesaurus
for a lethologica word lethonomia word

or a tsunami-tumbrel of words
that leave me

trapezing back to fidget it
leaving it
to brew
for weeks coddled & culled until it has no more
hem for honing as it shoogle’s its grommet
into the groove
of the world where it thumbs mulched wood
a gold Cup Bearer in the winning
of 5 stars from Cassiopeia maybe
or maybe knot?

 

Life Isn’t All Baubles, by Janet Sillett

Life isn’t all baubles

Who wants to win the bloody Booker anyway,
invaded by Yanks
Who wants to be longlisted with the cranks
the false prophets, the portentous
the simply crap
a novel in one sentence
what the fuck is that?

I could change my name to Hilary Mantel
or write a plotless endless novel in unreadable dialect, a hook
for the organic middle class and middle brow
riding on the zeitgeist of identity,
with requisite socio-political angst

Surely enough for the long list?

The taxi to the Guildhall, plague permitting,
smiling grimly at a table weighed down by hubris,
and quinoa burgers and beetroot three ways,
the BBC’s reverential tones on the big screen
selfies on iphones, rehearsing the perfect modest phrase

The Guardian interview in a Shoreditch bar
in battered leather jacket and trainers
keeping back the tears, haltingly, I expose
my childhood in a Coventry cult
and how, kept awake by culture wars, each night
I go through darkness to achieve light

all lies of course

A pay out for those dreary days, the barren room,
chain smoking in the dark, as the words die in mid air
the spent matrimony
the acrimony of failure

But do I really want to win the Booker
to choke on its self-congratulation high art pretention
the cattiness, the condescension,
when I can be signing paperbacks in a Luton basement
with the idlers and the curious,
dozing between the dysfunctional and exiles from the drizzle.

And later sprawled out drunk in the town fountain, trousers half mast
a dystopian baptism snapped for the local rag,
a late dog walker in her Barbour jacket turned away aghast,
whilst my face stares out from the sole shabby bookstore,
displaying my first, my best, my only hit novel?

Janet Sillett recently took up writing poetry and short fiction again after decades of absence. She has had poems published in the Galway Advertiser, Poetry Plus magazine, Green Ink Poetry and Spilling Cocoa over Martin Amis, Paws for Pause and flash fiction in Litro. She works for a think tank.

 

Dressing up in Lockdown, by Shanta Acharya

DRESSING UP IN LOCKDOWN

A pristine summer’s day, sparkling like champagne,
perfect for giving my garments an airing.
At home in a bubble of my own, lounging
in pyjama and dressing gown, numbering
my days’ illusions, comfort reigns over style.
My wardrobe reprimands me, cries in chorus
– saris complaining the loudest of not being
touched, embraced, admired – their silks, chiffons,
satins, crepes, georgettes, chanderis mothballed
in tissue, chide me for starving myself
in the midst of plenty. Unable to ignore their
pleas, I wear a sari with matching jewellery,
spray myself with Immortal and Eternity,
with a glass of bubbly watch Downton Abbey.

In the words of Mimi Khalvati, Shanta Acharya’s ‘poetry shows a rare combination of lyricism, intelligence, sagacity and a wicked sense of humour.’ The author of twelve books, her most recent collections are What Survives Is The Singing (Indigo Dreams, 2020) and Imagine: New and Selected Poems (HarperCollins, 2017). www.shanta- acharya.com

 

Human Nature, by Eric Burgoyne

Human Nature

Nearly halfway through a trans-Pacific flight, a passenger went into a seizure. It was significant and his thrashing motions alarming. A surprised traveler seated nearby leaped for his seat ready to fight off a highjacker. Steam-like condensation wafting from an air-conditioning vent took the shape of an Angel of Life fighting the Grim Reaper. A doctor and nurse rushed down the aisle to assist. The situation was tense and people wondered if the man would survive. Seatback entertainment monitors began turning blue as anxious passengers paused their movies and switched to the cobalt-colored flight tracker map to see if the aircraft had passed its point of no return. The lips of a few could be seen doing the mental math of connecting flights. A psychic in Business Class intercepted private thoughts and fervent prayers of those onboard: “Father, please save this poor man” . . . “Let him survive and live a long, healthy life” . . . “I beg of Thee, let us not be late for the wedding, P.S. Please bless whoever is sick back there in Economy” . . . “I wonder how much time it takes for rigor to set in?” . . . “What’ll they do with the body? They can’t just leave it there, seat-belted in, can they?”. . .“Hey! Where’s the pretzels and drinks?”

Eric Burgoyne writes and surfs on the North Shore of Oahu, Hawaii. He has an MA in Creative Writing – Poetry, from Teesside University, Middlesbrough England. His poems have appeared in Brickplight, Spillwords, Skink Beat Review, Rat’s Ass Review, and elsewhere.

 

Schoolyard Memory, by Maurice Devitt

Schoolyard Memory

When I refused to share my Latin homework,
you challenged me to a fight
outside the tuckshop, first thing after school.
With little choice, I accepted,
my strategy hopelessly unclear. You had form
and news of the mismatch sparked from class to class.

The lane was choked with the cough
of cigarette smoke and the acrid smell of BO
funnelling from the knots of baying boys
heralding my entrance. You strutted around
the makeshift ring, joking and laughing
with your cabal. I was tempted to admit defeat,

but conscious that attack is often
the best form of defence, I walked towards you,
shucking school bag and gaberdine,
baited you with words of bluff bravado,
silencing the crowd and tempting you
to hit me for the first time. I flinched

but didn’t react, tried to distract you
with the recitation of random tracts of Latin
unseen and the declension of obscure French verbs.
You continued your attack, my rubbery mouth
spitting out the syllables of broken words,
until I could take no more, legs buckling under me.

Curled on the ground, I sensed the mood
of the crowd shift to hushed concern,
and unfolding myself like a deckchair into standing,
rushed to concede. You win, I mumbled,
sweeping up my school bag and disappearing
into the maw of the crowd, tears starting to fall.

Perhaps chastened by the incipient shock
that rippled through the school, you never asked
for my homework again and, when we left school,
our paths diverged, until today – I saw you in town
stepping out of a brand-new Tesla,
pristine paintwork too tempting to ignore.

Maurice Devitt

A past winner of the Trocaire/Poetry Ireland and Poems for Patience competitions, he published his debut collection, ‘Growing Up in Colour’, with Doire Press in 2018.

Curator of the Irish Centre for Poetry Studies site, his Pushcart-nominated poem, ‘The Lion Tamer Dreams of Office Work’, was the title poem of an anthology published by Hibernian Writers in 2015.

 

I Have Something to Say About Crochet, by Carla Scarano D’Antonio

I have something to say about crochet

I was trained by my mother
when I was only 5 or 6
and could make granny squares and doilies
with tiny hooks and bright cotton.

She taught me how to chain first,
I made long ones coiling around my feet.
Then double crochet, treble, half treble, double treble.
They developed in patterns,
in things to use and wear.
Can you believe there are people who don’t value such a work?

The long solitary confinement of lockdown
required emergency.
I intensified my crochet work,
survival was suffused with the rituals of choosing the thread,
matching the colours, developing patterns
and creating something I felt.

How to break the sadness of isolation?
How to heal the unhappiness of lost social cohesion?
The thrill of creation, the minutiae of the stitches
were extra revelations.
I shivered with recovery.

Carla Scarano D’Antonio obtained her MA in Creative Writing at Lancaster University and has published her creative work in magazines and reviews. Her short collection Negotiating Caponata was published in July 2020. She was awarded a PhD on Margaret Atwood’s work at the University of Reading in April 2021.
http://www.carlascaranod.co.uk/

 

The Poem that Got Me Cancelled, by Daragh Byrne


Daragh Byrne is an Irish poet writing in Sydney, Australia. He has had work published in various journals and newspapers, and his poems have been commended or placed in numerous competitions in Ireland and Australia. He runs The Sydney Poetry Lounge, a long-running open mic night.